Readers would be advised to look elsewhere for more entertaining editions.
The classic Appalachian folktale “Sody Sallyraytus” loses its flavor in this retelling.
This cumulative tale has long been a favorite of storytellers who savored the dialect of Richard Chase’s version in Grandfather Tales (1948). A family in need of sody sallyraytus, or baking soda, for biscuits is done in by a hungry bear and saved by their pet squirrel. Paw Paw, brother, sister and finally Maw Maw each, in turn, head off to the store and on their return, run afoul of a very hungry bear under a bridge. Finally, the squirrel saves them and the baking soda. Chase included a tailor-made refrain that demands audience participation. De Las Casas’ version is unfortunately too wordy, and her refrain doesn’t scan comfortably. Putting a “big bad bear” in the title and repeating the phrase on almost every page unnecessarily adds a scary element and elevates the bear in importance over the squirrel. Gentry’s watercolor illustrations are too washed-out to have any visual impact. Her bear, oddly blue, would be a better fit in a version of “The Three Billy Goats Gruff.” A recipe for buttery biscuits is included.
Readers would be advised to look elsewhere for more entertaining editions. (Picture book/folk tale. 4-7)Pub Date: Sept. 15, 2012
ISBN: 978-1-4556-1690-9
Page Count: 32
Publisher: Pelican
Review Posted Online: Sept. 25, 2012
Kirkus Reviews Issue: Oct. 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
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