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AMEARTH

Nonviolent Orwellian sci-fi, somewhat prosaically told but asking good questions.

In Dober’s (Ultimatus, a Gaming Corporation, 2014) novel, threats of alien attack from deep space unite humanity under a high-tech, American-led one-world government—but what if the hostile aliens are, in fact, a hoax?

In the year 2045, the planet is under siege, according to authorities. Aliens from distant Kepler 3763 contacted Earth via radio transmissions in the 1980s, but a paranoid President Ronald Reagan reacted with a barrage of long-range missiles. Because of the nearly 24-light-year distance, the 21st-century world can expect long-delayed deadly retaliation. Thus the nations of the world are persuaded to combine and cooperate under the U.S.–led “AmEarth” umbrella, sharing in the construction of a giant “honeycomb” shield above the stratosphere while putting aside old enmities. Only holdouts Bolivia and New Zealand challenge the new world order, denouncing it as imperialistic propaganda. One AmEarth citizen listening to the skeptics is Scott Johansen, the teenage son of well-liked politician Peter Johansen. Peter starts to share Scott’s doubts when AmEarth’s first president, Neil Chen Tyson, taps him as his successor in a rigged election and explains to him that AmEarth is secretly run by a superintelligent artificial intelligence of terrestrial origin. Dober isn’t the first author to imagine a sham alien-invasion scare as a self-serving con—there was a similar payoff in Alan Moore’s 1987 graphic novel Watchmen (which referenced a 1963 episode of The Outer Limits). But he thinks through the details well and tells his yarn in a measured voice that will appeal to adult sci-fi newcomers and YA genre fans who want to read about dystopias in which upholding the status quo is a defensible idea. Readers expecting chases and action-packed battles, though, may have their hopes deflated by the staff discussions, committee votes, and dinner-table dialogue. That said, Dober nicely presents the philosophical problem of a functioning, utopian-level society built on a lie. Characterizations tend to be lean, but there are cute cameos by Donald Trump, Sasha Obama, and New Zealander filmmaker Peter Jackson. The open ending points inevitably to a sequel.   

Nonviolent Orwellian sci-fi, somewhat prosaically told but asking good questions.

Pub Date: July 20, 2015

ISBN: 978-0-9965491-1-0

Page Count: 362

Publisher: CreateSpace

Review Posted Online: March 22, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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