A clever extrapolation of today’s sociopolitical pathologies to the next century, with an uncommonly optimistic dose of...
In a future socialist America, Houstonians face the vicissitudes of life as a rising political/religious movement predicts the imminent return of a vanished scientist as a medical messiah.
Johnston labels his debut dystopian novel as “science fiction laced with political satire.” But in his deadpan tale, the biggest gag many readers will note is the author cheekily including himself in a future archives as one of sci-fi’s “old masters.” Otherwise, disillusionment with government and mistrust of the Establishment could come straight from today’s headlines and bloggers. America in 2135 is an economically troubled, socialist nanny state, intrusive, abusive, paranoid, and incompetent—whether it’s Democrats or Republicans operating “NatGov.” Some 50 years earlier, an enigmatic Mexican-born genius, Dar Lumbre, threatened the status quo of nationalized health care with his politics, sparking a warrant for his arrest. But he disappeared during the chaos after a providential solar flare erased the surveillance state’s digital records. Disciples since have prophesied Lumbre’s messianic return, bringing freedom and a formula for eternal life (thanks to Johnston’s med-tech savvy, the Jesus parallels are more intriguing than contrived and labored). In Houston, geneticists Crane Hopkins and Annie Lee study Lumbre’s own heirloom tissue samples, which hold amazing, restorative DNA applications that even NatGov allows (while it bans the scientist’s writings). But the sacred flesh is failing over time. Meanwhile, Crane’s freelance programmer brother becomes enmeshed in a Lumbre social movement (with cultish overtones) that may lead him astray, politically and in his fragile marriage. Hanging over the characters is the threat of NatGov’s wrath, but Johnston shies away from action-violence and simple black-and-white morality with a resolution more about science puzzles and societal problem-solving than chases or fights. Some may find the author’s conclusion almost too upbeat for the likes of NatGov. Others will enjoy that late in the ingenious narrative he embeds a shoutout to Kurt Vonnegut’s The Sirens of Titan, which is pretty good company for Vonnegut as well as Johnston.
A clever extrapolation of today’s sociopolitical pathologies to the next century, with an uncommonly optimistic dose of medicine in the end.Pub Date: March 20, 2018
ISBN: 978-0-692-08616-2
Page Count: 248
Publisher: Time Tunnel Media
Review Posted Online: April 30, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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