A skillfully written novel with plenty of intrigue, plot twists, and romance.



The need for revenge runs deep in Ingold’s (Square, 2014, etc.) latest mystery/thriller.

Elisa Gilbert, a costume designer for a repertory company, abandons her life in Oregon and heads to her childhood home in San Francisco after she catches her actor husband and his leading lady in flagrante delicto. She moves in with her mother, Ruth Bolcar, a divorced alcoholic who’s proud of her daughter’s decision to leave. Lawrence “Pug” Bolcar, Elisa’s father, is a larger-than-life attorney who enjoys the ladies and a round of poker now and then, and he’s in financial trouble following a massive loss at cards. As Elisa attempts to sort her own life out, Pug tries to avoid paying his debt and becomes entangled in a series of events involving wiretaps, seemingly vengeful Colombians, and a drug-smuggling operation. Behind the scenes stands Harold Manx, a cop who’s never recovered from the loss of his daughter to a cult nearly 10 years ago. He blames Pug, who assisted her legally, for her estrangement and sets in motion a complicated scheme to embarrass and destroy him. Although Elisa has her hands full trying to take care of her mother and deal with a potential new love interest, she gets swept up in Pug’s troubles as well. Ingold’s book has all the makings of a film noir, with plenty of booze and cigarettes, but it has a neater (and happier) ending than most stories of that genre. Most of the characters show a layer of desperation; they’re all dealing with their own troubles while unknowingly caught in the same web. Ingold’s narrative is laid out like a movie or stage play, and its shifts from scene to scene are effortless. He maintains the easy flow of each character’s separate plotline until they all tie neatly together. Glimpses of everyday life, such as Harold and his wife doing dishes or Elisa standing alone on her balcony at night, provide welcome breaks from the complicated yet compelling sting operation involving Pug and Harold. The relationship between Elisa and her handsome new man is an enjoyable addition to the mystery.

A skillfully written novel with plenty of intrigue, plot twists, and romance.

Pub Date: July 5, 2016

ISBN: 978-0-9786-9519-4

Page Count: 376

Publisher: Wolfenden

Review Posted Online: July 5, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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