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THE POOR AND THE HAUNTED

This thought-provoking tale makes a strong argument for letting go of past pain.

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A novel examines the impact of a father’s suicide on his son.

Jimmy Lansford had a hard childhood in rural Oklahoma, but he seems to have come out well. He has a well-paying job and he and his wife, Jill, and their children, Jonathan and Jessica, live in an upper-class neighborhood near Phoenix. Yet Jimmy is a haunted man, scarred by his past. His father, Ronnie, killed himself when Jimmy was 15 years old and his sister, Kelly, was 12. They were left living with their meth addict mother until Jimmy escaped to college. It’s slowly revealed that Kelly wasn’t as lucky. Strange things start to happen to Jimmy when Jessica is about to turn 12. First, on a business trip, he spies someone in his room through a window, but there’s no trace of anyone there when he races back. Then, at Jessica’s birthday party, he senses a presence with him in his bathroom. Jimmy reaches his breaking point when he finds muddy, inexplicable footprints in his bedroom. This leads the former cross-country star to sneak out his bedroom window and nearly run himself to death, ending up hospitalized with dehydration. Jimmy thinks he’s possessed. Those around him want to chalk up his behavior to survivor’s guilt. The truth lies somewhere in between. McKissen (The Civil War at Home, 2018) paints a well-conceived portrait of a troubled man, utilizing Jimmy’s journey through life. The author cleverly alternates between the present and Jimmy’s formative years, slowly unreeling the protagonist’s past so that readers can understand why such a good man is struggling despite his circumstances. Kelly hangs over the entire tale, as Jimmy blames himself for her tragic fate, thinking his departure ultimately doomed her. His intriguing backstory is a tale of missed opportunities. Things would have been different if Jimmy had been willing to reach out more fervently to Mike Carlisle, the cop who had taken an interest in the Lansford siblings after Ronnie’s suicide. The effective ending involves Jimmy's informing his family about the hurt he’s carried all these years.

This thought-provoking tale makes a strong argument for letting go of past pain.

Pub Date: Oct. 31, 2019

ISBN: 978-1-68433-364-6

Page Count: 152

Publisher: Black Rose Writing

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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