by Dwight Allen ‧ RELEASE DATE: April 11, 2003
A delicate touch throughout, but the characters, for all their foibles, are largely wretched, racked, inscrutable souls next...
Ex–New Yorker staffer Allen (The Green Suit, stories, 2000) offers an eloquent but determinedly downbeat first novel about the family and clerk of a recently deceased Kentucky judge, all at sea about what to do with themselves.
It’s easy for Judge Dupree: he gave his liberal opinions from the bench (confounding those who expected otherwise from the dyed-in-the-wool Republican), defended his harping, health-food freak of a spouse against their two sons, had a glimmer of the life that might have been when he finally kissed his longtime clerk, Lucy, at age 80—and then died. Lucy, though, with no plans for her future, goes to church in hopes of finding a direction. There, she finds Morgan Dupree, the Judge’s divorced younger son, a sometime sportswriter who has come back to Louisville from Manhattan to write a book about his father. The other son, Crawford, still suffering the consequences of landing on his head in a Manhattan street after colliding with a bicyclist, has grown diffident in his teaching and so estranged from his wife in Wisconsin that she starts an affair, while he tries to take up with his son’s much-younger ventriloquist teacher. The Judge’s widow, meanwhile, fusses and frets in her own way, but finds a reliable companion in her yardman, who buries the Judge’s old dog for her when the pooch goes into convulsions and dies on the patio. Part of the mix too is “Uncle” Louis, the Judge’s cousin and best friend, an alcoholic and closet homosexual who finally comes out by bringing home dark-eyed Lazaro from a trip to Guatemala, then succumbs to cancer not long after. As Morgan pursues Lucy, and Crawford travels with the ventriloquist, the Judge, an unabashed train enthusiast, rides the rails as a ghost, occasionally appearing to his loved ones in their distress.
A delicate touch throughout, but the characters, for all their foibles, are largely wretched, racked, inscrutable souls next to whom the ghostly Judge seems a paragon of substance.Pub Date: April 11, 2003
ISBN: 1-56512-369-7
Page Count: 320
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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by Dwight Allen
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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