An engaging, if somewhat facile, novel of wartime.
Dustin tells the story of two brothers caught in the horrors of World War II in this debut novel.
When Nazi SS officers show up at his mother’s house in the middle of the night, 16-year-old Karl Elheusch knows they’ve come for him and his brothers. It’s October 1944, and Germany’s defenses are collapsing on all fronts. Hitler has ordered that all German boys over the age of 12 be pressed into military service to bolster the nation’s depleted armed forces. Sixty years later, Karl’s daughter, Ellie, waits at Washington Dulles International Airport to pick him up; it’s his first trip to the United States from Germany. But the elderly Karl suffers from chest pains soon after he arrives, so Ellie takes him to a hospital, where she learns that his heart is enlarged and will require a stent. While dozing, Karl remembers his time during the war. He and his brother, Hans, were forced to man the eastern front and were eventually captured by the Russians—an enemy that was much feared for its callous treatment of prisoners. Karl became separated from Hans and managed to escape, only to fall into the hands of American forces. As a prisoner of war, he was forced to assist in the cleanup of the Mauthausen concentration camp, where he confronted German atrocities against people he once knew. Concerned for Hans’ safety and unsure of his own fate, Karl underwent psychological torments that stayed with him for decades to come. Dustin writes in a plain but effective prose, communicating the details of Karl’s life in grim simplicity: “Prepare yourselves,” another POW warns Karl at one point. “They took a few of us to Mauthausen yesterday morning. I saw piles and piles of skeletons, dead after dead.” In an afterword, the author reveals that the novel was based on a true story, and it reads as such. This isn’t always for the best, however, as the larger themes of trauma and regret get somewhat lost in the particulars of Karl’s biography, and the serendipitous way that Karl’s past merges with his present feels almost jokey in tone. Even so, readers who are interested in semihistorical World War II stories will likely enjoy Karl’s tale.
An engaging, if somewhat facile, novel of wartime.Pub Date: Sept. 3, 2016
ISBN: 978-1-5374-7507-3
Page Count: 266
Publisher: CreateSpace
Review Posted Online: Nov. 28, 2016
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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