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ROXANNE

WHO LED HER LOVERS TO THE GATES OF PARADISE AND HER PEOPLE TO THE SUNNY UPLANDS

An afternoon’s delight for devotees of the kinky, but others might hope for more to wrap their minds around.

This erotic novel traces a woman’s ascendancy to the leadership of a Balkan country, a feat accomplished and accompanied by frequent sexual escapades.

First-time author Stewart relates the lubricious, sometimes scatological tale of Roxanne, a woman whose father, the deposed king of an Eastern European country, has ended up in England after her mother died in unspecified “upheavals” in their former homeland. Undeterred, Roxanne makes her way back as an adult, gradually gaining power, often by getting it on with various men and women in and out of her office. “I’ve done a lot of strategic fucking to get here,” she says, though it’s not all work and no play; she clearly enjoys sex. As she notes after knocking off the president, who dies of a heart attack in bed with her, “Fucking presidents to death must agree with me.” Highlighted by nonstop sex, her subsequent tenure in the executive suite makes Bill Clinton look like a prude. The author gives graphic, blow-by-blow descriptions that border on the clinical of encounters between men and women, women and women, and wilder X-rated happenings. Indeed, though a novel, this book could serve as a useful primer for budding cunnilinguists and as an addendum to the Kama Sutra. Unfortunately, without much interest beyond the bedroom, the plot is too thin to hold the novel together. Though Stewart occasionally tries to sandwich some political philosophy in between the sex sessions, the thoughts on monarchy and democracy are far from profound and are sometimes incomprehensible. Usually competent, the writing stumbles at times, as when a character is “as proud as punch” to have brought a lover to orgasm. For the most part, characters display few attributes besides lascivious ones, so they tend to come off more as mechanical meat puppets than flesh-and-blood humans. Eventually, after so much sex, the novel’s strong suit—its frank approach to and presentation of sex—turns into a weakness: Reading sex scene after sex scene becomes too routine to draw much excitement.

An afternoon’s delight for devotees of the kinky, but others might hope for more to wrap their minds around.

Pub Date: Oct. 24, 2012

ISBN: 978-1477223284

Page Count: 148

Publisher: AuthorHouseUK

Review Posted Online: March 18, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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