by E. R. Sanchez ‧ RELEASE DATE: May 27, 2014
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In this debut novel, a successful California business owner loses everything in the economic downturn and enters the gray market of medicinal marijuana sales.
While raising a family, Phillip McCalister, 40, has run a shirt-making factory in California. With the economy collapsing and huge payments due on his overpriced real estate, he’s threatened with foreclosure and must suspend operations. His wife files for divorce and moves out with their two young sons. The story of Phillip’s demise as a legitimate businessman and his reinvention as a purveyor of medicinal marijuana is told in flashbacks. The opening chapter and alternating chapters reveal a present-day legal situation in which Phillip faces undisclosed court proceedings. By the book’s conclusion, the two narratives have been linked and his fate is made clear. Following the loss of his business and most of his assets, he’s encouraged by Raul, a former employee, to exploit California’s arcane medicinal marijuana regulations. In many cases, it isn’t considered criminal to cultivate and distribute marijuana and edible, THC-infused products to California’s hundreds of medical marijuana clubs. With some brief market research and considerable expertise from his now-partner Raul, Phillip becomes a major player in the marijuana market. The two quickly make a fortune, with Phillip becoming “Jack Gram,” servicing various niches including “the Armenians over in Canoga and the surfers over in Northridge” as well as “the Russians in downtown” and “the Israelis, too.” The entertaining specifics about the marijuana industry indicate inside knowledge, and the varieties of product number in the dozens—including “Purple Urkle,” “Afghani Kush,” “White Widow,” “Pineapple Express” and “AK-47.” Alternating the chapters of Phillip’s current criminal problems with the back story of his growing involvement in the enterprise lends a modest air of mystery. Much less successful, however, are two unnecessary detours into explicit sex scenes, one involving Phillip’s soon-to-be ex-wife that offers little insight into their obvious marital dilemmas and the second coming across as an inexplicably raunchy male fantasy involving two sex workers and a night of endless pleasure. These episodes detract from a story with potential to shed light on how, after losing everything, a man can reinvent himself.
Jack Gram is no Walter White, but his entertaining devolution into the world of drug manufacturing is a decent hit of pot-lit.
Pub Date: May 27, 2014
ISBN: 978-0615905891
Page Count: 146
Publisher: Fried Potato Press
Review Posted Online: Aug. 12, 2014
Kirkus Reviews Issue: Sept. 15, 2014
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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