Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

THE BLACK CARRIAGE

Rich with world history and a burning central question, the story provides an array of real-life characters and fascinating...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

From author Crutchley (Innovation Trends in Plastics Decoration and Surface Treatment, 2014) comes a novel concerning missing gold and the tumultuous world events in the time of Napoleon.

In the late 1700s, the colony of Saint-Domingue (modern-day Haiti) is in a state of upheaval. With the Revolution and resulting terrors sweeping France, places such as Le Cap (“the Paris of the Caribbean”) are starting to see violence. Having come to Saint-Domingue “to find fortune in a colony as far away as possible from the chaos in our motherland,” the narrator finds instead a hotbed of activity. After joining the army in Saint-Domingue, he sees his share of riots and revolts. It’s during one such operation to quell the chaos, when the army’s “sheer numbers totally surprised and shocked the…looters,” that the narrator finds his wife has been murdered and his son gone missing. In addition, a large amount of gold “sent to finance the restoration” is believed to have disappeared. So begins an investigation known as Black Carriage. What happened to the gold, and could it be related to the death of his wife? It’s an investigation that takes the reader to places as far-flung as Switzerland and Brazil. Part historical fiction, part investigative mystery, the book incorporates an enticing swath of the former. Readers familiar with the era will recognize Prince Pedro, Gen. Brune, Toussaint Louverture, and, of course, Napoleon; those unacquainted with such names will learn a great deal. Readers interested in the mystery will have to wade through dense periods of military maneuvering (such as with the French campaign through Europe) in order to find answers, but the journey is kept lively with well-written scenes of firing cannons and swinging swords (“I swung my sabre at a rebel crewman who jumped overboard to avoid me, and in the same sweep cut down one of his colleagues to my left just as he was raising his spike”).

Rich with world history and a burning central question, the story provides an array of real-life characters and fascinating locations.

Pub Date: Jan. 1, 2015

ISBN: N/A

Page Count: 652

Publisher: Amazon Digital Services

Review Posted Online: Feb. 23, 2015

Kirkus Reviews Issue: April 15, 2015

Awards & Accolades

Likes

  • Readers Vote
  • 663


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Awards & Accolades

Likes

  • Readers Vote
  • 663


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

Awards & Accolades

Likes

  • Readers Vote
  • 195


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

Awards & Accolades

Likes

  • Readers Vote
  • 195


  • New York Times Bestseller


  • IndieBound Bestseller

A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

Close Quickview