This is comfort-food fiction, undemanding and full of Moore’s sweet but not saccharine affection for his characters.
The three childhood friends Moore introduced in The Supremes at Earl’s All-You-Can-Eat (2013) are now in their early 60s and facing new challenges.
The three “Supremes” of Plainview, Indiana—a name that emphasizes the unpretentious tone of Moore’s storytelling—are down-home African-American women, except that Clarice is a concert pianist with a penchant for Beethoven, Barbara Jean is Plainview’s wealthiest philanthropist, and Odette—well, Odette talks to the dead. At the unlikely wedding of Clarice’s religious-zealot mother to the owner of a dive called the Pink Slipper Gentlemen’s Club that has only recently become “a respected music venue,” all three friends are moved by elderly blues singer El Walker’s rendition of the “Happy Heartache Blues.” And thus hangs the thread that winds a plot ever so loosely through the novel. El is actually Marcus Henry and the father of Odette’s husband, James. While a heroin addict, El abandoned his wife and small son after accidentally slicing James with a razor blade. El is off drugs, but diabetes lands him in the hospital, where his identity is revealed. As Odette tries to find a way for James and El to come to terms with each other, Clarice prepares for her big breakthrough concert in Chicago. Separated from her philandering husband, Richmond, she's enjoying her independence and their continuing active sex life, but she feels increasingly stifled by Richmond's needy desire for the kind of intimacy he withheld in the past. Recovering alcoholic Barbara Jean is in a happy second marriage and gets less page time than her friends. Subplots meander along concerning both serious issues like a father’s cruelty to his gay, cross-dressing son and sitcom clichés like a pompous, big-hatted would-be preacher lady whose hateful pretensions are exposed by an open microphone. Religion is central to most of these lives although its form ranges from fundamentalist Baptist to Unitarian.
This is comfort-food fiction, undemanding and full of Moore’s sweet but not saccharine affection for his characters.Pub Date: June 20, 2017
ISBN: 978-1-250-10794-7
Page Count: 320
Publisher: Henry Holt
Review Posted Online: April 3, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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