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CLAIRE OF THE SEA LIGHT

Both lyrical and cleareyed, a rare and welcome combination.

Danticat’s first fiction in nine years (The Dew Breaker, 2004, etc.): a snapshot of 21st-century Haiti in the form of stories unfolding around a little girl in the coastal town of Ville Rose.

Claire’s mother died in childbirth, and on the evening of her seventh birthday in 2009, her father, Nozias, a poor fisherman, agrees to give her to Madame Gaëlle, an affluent fabric vendor whose own daughter died three years earlier in a traffic accident. Claire runs off to think things over, and the narrative circles back to chronicle Gaëlle’s pregnancy and the death of her husband in a random gang shooting. From there, we travel to Cité Pendue, a festering slum on the outskirts of Ville Rose, where Bernard Dorien’s tentative steps toward a better life are violently halted after he is accused of complicity in that shooting. The intricate, sometimes-intimate interconnections between rich and poor in a small town are evident in the story of Bernard’s friend Max Ardin Jr., son of the elite local private school’s arrogant proprietor, and Flore, the family’s maid, whom he raped and impregnated 10 years earlier. Flore gets her revenge by exposing his crime on the popular local radio program Di Mwen—Creole for “tell me.” (Danticat makes evocative use of Creole’s distinctive French/African cadences throughout, and the novel’s title translates her protagonist’s full Creole name, Claire Limyè Lanmè.) Louise George, host of Di Mwen, has her own reasons for humiliating the Ardins; motivations are never simple in Danticat’s nuanced presentation. Her prose has the shimmering simplicity of a folk tale and the same matter-of-fact acceptance of life’s cruelties and injustices. Yet, despite the unsparing depiction of a corrupt society in which the police are as brutal and criminal as gang members, there’s tremendous warmth in Danticat’s treatment of her characters, who are striving for human connection in a hard world.

Both lyrical and cleareyed, a rare and welcome combination.

Pub Date: Aug. 27, 2013

ISBN: 978-0-307-27179-2

Page Count: 256

Publisher: Knopf

Review Posted Online: July 1, 2013

Kirkus Reviews Issue: July 15, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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