In or out of the courtroom, Copperman’s right on the money.
Prolific Copperman launches a new series starring a defense attorney who could give Perry Mason a run for his money.
Tired of prosecuting low-level grifters in New Jersey, Sandy Moss heads to sunny LA to join Seaton, Taylor, Evans, and Bach, whose practice is limited to squeaky-clean corporate cases. Divorce settlements are as down and dirty as Seaton, Taylor gets, and then only for high-value clients like Pat Dunwoody, the star of TV legal thriller Legality, who’s looking for release from his promiscuous wife, singer Patsy DeNunzio. Sandy’s first assignment is to sit silently next to senior partner Junius Bach during the contentious Dunwoody-DeNunzio property negotiations, a task she fails miserably by revealing to opposing counsel her side’s chief strategy. Junius is livid, but Pat so admires Sandy’s spunk that he demands that Seaton, Taylor assign her to defend him after Patsy’s inevitable murder. Dunwoody, who reverts to his stage name of Patrick McNabb after his wife’s death, seems deeply confused about the difference between being a lawyer and playing one on TV. Not only is he unfazed by Sandy’s complete lack of experience as a defense attorney (after all, if she prosecuted cases, shouldn’t she know how to defend them?), he doesn’t pay much attention to the judge’s preferences, like having defendants not leave the country while they’re awaiting trial. Even with the help of her new maybe-boyfriend, paralegal Evan D’Arbanville, and her best friend, Angie, who arrives unexpectedly from New Jersey, Sandy has her hands full keeping a lid on irrepressible McNabb, and readers won’t want to miss a minute of the mayhem.
In or out of the courtroom, Copperman’s right on the money.Pub Date: Jan. 5, 2021
ISBN: 978-0-7278-9084-9
Page Count: 224
Publisher: Severn House
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
The delightful debut of a classic, prolific detective.
It takes a quirky sleuth to solve a baffling closed-door murder.
The author himself or, more accurately, some version of him, walks the reader through a “gruesome murder” that occurred in a rural farming village. At the center of the crime is the wealthy Ichiyanagi family, including the widow Itoko and her five children. The “heinous crime” occurs in the evening after the festive wedding of eldest son Kenzo to schoolteacher Katsuko. Yokomizo, part narrator and part raconteur, liberally shares digressions such as the fact that his favorite British author is A.A. Milne, who wrote The Red House Mystery as well as the books about Winnie-the-Pooh. Written in 1946 but set in 1937 before the devastation of World War II, this is the first novel featuring Kosuke Kindaichi, the legendary detective who appeared in more than 70 stories by Yokomizo. If Yokomizo is the Japanese Agatha Christie, Kindaichi may seem the Japanese Hercule Poirot—although actually, given his unkempt hair and apparently distracted manner, he’s more a cross between Poirot and Columbo. Shrewdly, his entrance is delayed until midway through the novel, after the police have stalled and both the family and the reader are anxious for a solution. The narrator’s garrulous charm, in a mystery long on logistics and forensic clues but short on detailed character portraits or extended interactions, is a key to the novel’s success, leavening the more intricate pieces of the puzzle. Armchair detectives will welcome the helpful character list that precedes the story.
The delightful debut of a classic, prolific detective.Pub Date: tomorrow
ISBN: 9781805336549
Page Count: 192
Publisher: Pushkin Vertigo
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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