In or out of the courtroom, Copperman’s right on the money.
Prolific Copperman launches a new series starring a defense attorney who could give Perry Mason a run for his money.
Tired of prosecuting low-level grifters in New Jersey, Sandy Moss heads to sunny LA to join Seaton, Taylor, Evans, and Bach, whose practice is limited to squeaky-clean corporate cases. Divorce settlements are as down and dirty as Seaton, Taylor gets, and then only for high-value clients like Pat Dunwoody, the star of TV legal thriller Legality, who’s looking for release from his promiscuous wife, singer Patsy DeNunzio. Sandy’s first assignment is to sit silently next to senior partner Junius Bach during the contentious Dunwoody-DeNunzio property negotiations, a task she fails miserably by revealing to opposing counsel her side’s chief strategy. Junius is livid, but Pat so admires Sandy’s spunk that he demands that Seaton, Taylor assign her to defend him after Patsy’s inevitable murder. Dunwoody, who reverts to his stage name of Patrick McNabb after his wife’s death, seems deeply confused about the difference between being a lawyer and playing one on TV. Not only is he unfazed by Sandy’s complete lack of experience as a defense attorney (after all, if she prosecuted cases, shouldn’t she know how to defend them?), he doesn’t pay much attention to the judge’s preferences, like having defendants not leave the country while they’re awaiting trial. Even with the help of her new maybe-boyfriend, paralegal Evan D’Arbanville, and her best friend, Angie, who arrives unexpectedly from New Jersey, Sandy has her hands full keeping a lid on irrepressible McNabb, and readers won’t want to miss a minute of the mayhem.
In or out of the courtroom, Copperman’s right on the money.Pub Date: Jan. 5, 2021
ISBN: 978-0-7278-9084-9
Page Count: 224
Publisher: Severn House
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
High-concept and highly entertaining.
Fiction writers compete to finish a famous author’s abandoned novel.
Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.
High-concept and highly entertaining.Pub Date: April 7, 2026
ISBN: 9780063444614
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
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