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You're in HighSchool Now

JULIAN'S SOPHOMORE YEAR, PART 1

Fun, frolicsome series with good humor and a message of unity and equality; new readers may want to start at the beginning.

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The life and times of an adventurous, gay high school sophomore.

In the latest installment featuring Julian, the affable lead in the Julian’s Private Scrapbook YA series, author Eldot (The Champions: Julian’s Private Scrapbook, 2013, etc.) re-creates the autumn of 1962 as Julian embarks upon another school year full of books and boys at Jackson High School. Amid a backdrop of artistic inclinations and first-day jitters, Julian’s romantic feelings for Mark, his Scoutmaster at Camp Walker over the past summer, continue to simmer, with their exploratory fondling lingering in his memory. But his concerned mother, Francine, encourages him to show an interest in girls. When Rita, an attractive, mischievous schoolmate, asks Julian, aka “the blond masterpiece,” to the Sadie Hawkins dance, the obvious awkward clashing of orientations ensues. Humor is one of Eldot’s strong suits; he has an impressive capacity for penning farcical, innocently disastrous moments. He also builds a good supporting cast, like Mark, who is in a heterosexual marriage of convenience after his longtime partner died seven years prior; and Randall, a gay virgin and recent arrival to Jackson High. Intimate shenanigans occur at a secret society campout for randy boys, but the author takes care to handle these moments with restraint. Structurally, however, Eldot fumbles a bit. He shifts perspective awkwardly and adds too many disclaimers, style notes, and end matter that are meant to illuminate Julian but result in informational overload. Still, Eldot successfully taps into the experiences of gay youth with a believable blend of engaging characterization, humor, pathos, back story, and teenage angst.

Fun, frolicsome series with good humor and a message of unity and equality; new readers may want to start at the beginning.      

Pub Date: July 6, 2015

ISBN: 978-1-893075-77-1

Page Count: 626

Publisher: Q Press

Review Posted Online: Oct. 6, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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