From the authors of The Court of the Lion (1989): another wittily plotted and peopled, richly entertaining scan of base acts in high places in ancient China, this set during the seventh- century ascendancy and blistering reign of the Empress Wu. Meanwhile, ever so carefully circling amongst webs of deception and evil deeds is the sleuth/magistrate Dee Jen-Chieh (a real personage also seen in Robert Van Gulik's Judge Dee mysteries series). ``It is interesting to sit in the presence of a true killer,'' magistrate Dee will remark of the Empress Wu after his own days of turmoil are over. But long before his first one-on-one view of Wu, Dee is launched upon sleuthing an ever-accelerating series of crimes after he witnesses the execution of a pathetic, betrayed, simple gardener. And in the imperial city Loyang, the wee newborn daughter of the Lady Wu (consort of the Emperor Kaotsung), is dispatched by Mummy with suffocation. As the Lady Wu wafts upward toward Empress—thanks to the counsel of her mother, Mme. Yang; an icy, unclouded ambition; and tactical brilliance—various relatives, sons, and lovers—as well as an Emperor and his venerable powerful advisors—fall like sheaves. The intrigued magistrate, already involved in solving the murders of wealthy ``suicides'' found floating in the canal, suggests that Tibetan monk/magician Hsueh Huai-i spy in the palace Loyang. (The monk is also a real person—a Rasputin to the Empress.) Eventually, Hsueh blooms in royal favor and gains political control over all agencies of a state religion, encouraging a kind of extravagant practice of Buddhism—in the light of rationalist Confucianism, an ``alien'' excess. Hsueh, however, has an even darker obsession. Skillfully, Dee solves horrendous murders, escapes death himself, suffers his own awful family, lures the corrupt into his net—and, at the last, sees into the heart of Wu: ``Like an ancient cave uninhabited for centuries, a stillness and emptiness....'' In concept, balance, and wit: a simply splendid entertainment.
Pub Date: May 19, 1993
ISBN: 0-688-08938-0
Page Count: 594
Publisher: Morrow/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 1993
BOOK REVIEW
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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