Brain candy with a pedigree.
A scandalously juicy idea—that the Duke and Duchess of Windsor had a child but disowned her—adds a classy touch to an otherwise thin story that’s essentially a variation of the Cinderella tale: a beautiful heroine finds her own prince despite parental neglect and daunting challenges.
The child, Emerald, is born in May 1937, just before her royal parents marry in June. She is immediately whisked away to join the Fergusson household in London, her only royal memento being an engraved bracelet with an emerald cross. Iona Fergusson was once a mistress of the Duke’s but is now married and the mother of four-year-old Callum. Callum is deeply protective of Emerald, who in turn adores him and Iona, but WWII ends their secure childhood. As the bombs start falling, Anthony Anstruther, a lawyer and former aide of the Duke's, arranges for the children to sail to Scotland, where Callum will join his grandfather while Emerald will continue on to the Bahamas, now the home of the Windsors. But the ship sinks in a storm, and though the two children are rescued, they're brought up in separate households. From then on, the story becomes a fast-paced record of the inevitable setbacks, heartbreaks, and major triumphs the beautiful Emerald must endure. Unlike her parents, she's generous, selfless, and considerate, as she adjusts to living in Mexico and France and also, when inconveniently pregnant, to a hasty arranged marriage with homosexual peer Tom Sherwood, who wants an heir—not to mention the dowry that Anstruther insisted Emerald’s tightwad royal parents provide. Once a stunning fashion model in New York and Paris, she becomes, in England, the mother of James and morphs into a successful businesswoman who makes the Forbes list of big moneymakers. But her heart still belongs to Callum, and he hasn’t forgotten Emerald either.
Brain candy with a pedigree.Pub Date: Dec. 1, 2000
ISBN: 1-888173-62-9
Page Count: 574
Publisher: Akadine/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2000
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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