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UNDER THE MOSQUITO NET

A charming anomaly: a woman's novel that's goofy, predictable, and unusually entertaining all at the same time. The story is a set-piece: Maia Rose, celebrated beauty- columnist for glamorous Chic magazine in New York, is 31 and has been a tragic widow for nine years (her young husband keeled over during a shopping trip to Macy's)—when suddenly she finds herself in the grip of an identity crisis. Does she really want to remain a fashionable beauty writer? Live in swank, expensive New York? Stay single forever? She doesn't know, so decides to take a vacation trip to think it over—to Australia, though at the last minute Chic's clairvoyant astrologer convinces her to go to Mexico instead. Missing a connecting flight to Acapulco, Maia lands in Yucatan. Encountering a Guatemalan refugee named Miguel Angel with a tragic past, Maia falls in love. Being stymied by Hurricane Gilbert when she tries to fly back to N.Y.C., she greets fate with a smile and settles down in Yucatan. She stays nine months (few in New York seem to miss her), sets up house with the Guatemalan, and then undergoes a wildly delayed, completely predictable reaction to the poverty around her and to revelations of Miguel's tragic past (he strangled his own baby to save a town!). She flees back to New York (her apartment is quietly waiting), where Miguel soon follows, and (after shopping at the Gap), the two reunite passionately and live happily ever after with their mutually tragic histories (he's immediately been accepted by her many friends). All of this is silly, but Dunkel (Every Woman Loves a Russian Poet, 1989—not reviewed) has a lighthearted, rollicking style and such an endearingly goofy character in Maia that the reader doesn't mind—almost doesn't mind—the slapdash predictability.

Pub Date: May 28, 1993

ISBN: 1-55611-365-X

Page Count: 224

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1993

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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