Frustrated by constant mosquito attacks, stifling humidity, a lack of privacy and friends, and inattention from her overworked parents who serve as World Physicians for Children, 14-year-old Emily Slake considers leaving the town of Banda Aceh in the north of Sumatra to meet up with her vacationing uncle on a nearby island. When her carelessness possibly contributes to a young girl’s death, Emily’s guilt drives her to board the overcrowded ferry for Weh. The sinking of the ferry interrupts her encounter with European vacationers (who embody Western ignorance of and insensitivity to other cultures). A nightmarish battle to fight fatigue, hunger, loneliness, and fear ensues. Although some scenes seem implausible, particularly Emily’s ability to carry on complete conversations and sing in her weakened state, first-time author Fama skillfully conveys the impact of survival in human nature. From a hopeless woman who gives her up her wrestle with life, desperate passengers who will injure or kill other humans for a space on a raft, and fear at the sight of sharks to Emily’s compassionate rescue of a young boy, Isman, her dedication to ensure his survival, and Isman’s devotion to his religion, readers will contemplate the fate of the characters and how they would fare under the same conditions. Inspired by an actual ferry accident caused by lax safety standards, this is a powerful exploration on the will to live. (author’s note, map) (Fiction. 12-15)
Pub Date: May 1, 2001
ISBN: 0-8126-2652-4
Page Count: 176
Publisher: Cricket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2002
BOOK REVIEW
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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