An often effective blend of offbeat romance and high-stakes action-adventure.
Love blossoms between unlikely partners in St. John’s (No Boundaries, 2016, etc.) steamy contemporary romance.
Sabrina Turov, the young woman at the center of this sensual new novel, works in a bookshop in Crescent Heights, California, and is quietly pleased with the place, which she considers “a bookstore for real readers, who read to expand their minds and awaken their passions.” She believes that she’s met just such a reader, a “Prince Charming” named Jeffrey Ivanov, who takes her to a glamorous event after they’ve been dating about a month. But then he leaves her at an abandoned gas station in the Desolation Mountain wilderness to fend for herself overnight in a storm, wearing nothing but a flimsy party dress. She’s rescued by military veteran Micah Hudson. He did tours of duty in Iraq, Libya, and Afghanistan, but since his return, he’s lived in the mountains, seeking peace and solitude. Despite the apparent mismatch of a quiet young woman in a fine dress and a grizzled, formidable warrior, Sabrina and Micah are instantly attracted to each other. Indeed, St. John devotes a sizable portion of the novel to their exploration of this attraction, in both emotional and explicitly sexual terms. She blends this element fairly seamlessly into the book’s main storyline, which involves the Russian mob, Ivanov’s illicit connections, and FBI operatives who are more than willing to use Sabrina and Micah in the pursuit of their own goals. A great deal of this thriller plot is predictable, though, and the serviceable prose does little to liven things up. But the story does nicely build momentum as it goes along, and the portrait of Micah as a tortured but honorable warrior who feels himself to be “a cripple in his mind, half a man,” is consistently engaging.
An often effective blend of offbeat romance and high-stakes action-adventure.Pub Date: March 3, 2017
ISBN: 978-0-9978681-3-5
Page Count: 424
Publisher: John Star Shaw
Review Posted Online: April 28, 2017
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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