Toothy follow-up to Datlow's first-rate Blood Is Not Enough (1988) anthology, which conjured up vampires who dine on sex, fear, love, anything but blood. Now, Omni's fiction editor calls on authors to explore the idea of vampirism itself—a challenge well met here. With no repeats, the current roster of writers still rivals its predecessor, with some of the brighter literary lights in the horror/sf fields on hand. Of the 18 contributions—each with an introduction by Datlow and an afterword by its author—15 are original, although the lead-off, Suzanne McKee Charnas's ``Now I Lay Me Down to Sleep'' (melancholic whimsy about an old Jewish woman-turned-vampire) fails to break new ground. More in touch with the overall spirit is the next story, Karl Edward Wagner's ``The Slug,'' a black-humored dig at philistines who intrude on artists- at-work; but the anthology really hits its stride with Barry N. Malzberg's bitingly bleak ``Folly for Three,'' as a husband and wife act out ever-more dangerous fantasies: ``Marriage as psychic vampirism,'' Malzberg notes in his afterword. ``The Impaler in Love''—a wry poem by Rick Wilber—follows, leading to the book's centerpiece, ``The Moose Church,'' a tantalizing selection from Jonathan Carroll's next novel, in which a vacationer to Sardinia dreams direly of the mysteries of death. Most of the subsequent tales (though not David J. Schow's preachy ``A Week in the Unlife'') also offer resonant chills, especially the final three: K.W. Jeter's shocking tale of vampiric fidelity, ``True Love''; Robert Holdstock and Gary Kilworth's neo-Victorian tale of a vampiric tree, ``The Ragthorn''; and Pat Cadigan's grisly vision of a deathless world, ``Home by the Sea.'' Other notables come from Thomas Ligotti, Thomas Tessier, and Chelsea Quinn Yarbro. Admirably inventive variations on vampirism, although none can match the grim grandeur of the Count himself.
Pub Date: Oct. 31, 1991
ISBN: 0-688-10361-8
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1991
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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