Not even death can keep Dorothy Parker down in this sad and funny story.
The ghost of Dorothy Parker meddles with the lives of mortals in this sequel from Meister (Farewell, Dorothy Parker, 2013).
In the heyday of her career, Parker signed a guestbook that promised eternity. Against all odds, the claim turned out to be true, and now she haunts the famed Algonquin, greeting her friends after their deaths. They all go on to the afterlife, but not Dorothy. She’d much rather stay right there at the bar—but things are starting to get lonely. That’s where Ted Shriver comes in. A writer whose career plummeted after a plagiarism scandal, Ted is now dying of a brain tumor. If only Dorothy can convince him to sign the guestbook, she might just have some company. But things get a bit more complicated than she imagined. Norah Wolfe, an associate producer for a struggling television show, has her own reasons for wanting to talk to Ted. Neither of them will be able to get through to him unless they can help him tie up some loose ends…and maybe clear his name in the process. Meister’s Dorothy Parker is just as sharp, witty and pleasantly mean as fans would expect. Her humanity shines through, though, along with her humor. Her obvious loneliness, along with the dilemmas Ted and Norah face, make this a surprisingly emotional novel.
Not even death can keep Dorothy Parker down in this sad and funny story.Pub Date: Feb. 24, 2015
ISBN: 978-0-399-16687-7
Page Count: 336
Publisher: Putnam
Review Posted Online: Dec. 6, 2014
Kirkus Reviews Issue: Dec. 15, 2014
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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