PAGEBOY

A MEMOIR

An affecting and timely memoir.

An Oscar-nominated actor and activist shares his story.

Page (b. 1987) made headlines when he came out as queer in 2014 and again when he let the world know that he was a trans man in 2020. The latter revelation was Page reintroducing himself on his own terms. The former was more complicated. In 2008, just after 20-year-old Page had shot to fame as the title character in the indie hit Juno, journalist Michael Musto used his column in the Village Voice to insinuate that Page was queer. At a time when he should have been enjoying his breakout film’s critical and commercial success, Page was enduring prurient public scrutiny and intense private pain. This dynamic was familiar to the young actor, as was the speculation about his sexuality. The author started acting professionally at the age of 9, but he had already learned to play a part. From his childhood as a “tomboy” to his days as a closeted celebrity, Page yearned to be someone other than the person others expected him to be. Anyone looking for a dishy tell-all should look elsewhere. While the author describes his romances with other boldface names and shares anecdotes about unnamed Hollywood figures that will undoubtedly lead to speculation, he is primarily interested in examining what it was like for him to grow up—and become famous—repressing his authentic self. He remembers the heartache of unrequited crushes and the impossibility of forming authentic relationships while living a lie. He recounts bullying and abuse, from his peers and from his family. He reveals how his body dysmorphia led to self-harm and disordered eating. He testifies to the lifesaving power of gender-affirming care and a loving community. Page is clearly aware not everyone who wants to transition has his resources, but he also understands that representation matters and that telling his truth might make it a little bit easier for others to live theirs.

An affecting and timely memoir.

Pub Date: June 6, 2023

ISBN: 9781250878359

Page Count: 288

Publisher: Flatiron Books

Review Posted Online: June 7, 2023

Kirkus Reviews Issue: July 15, 2023

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  • New York Times Bestseller

ELON MUSK

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.

To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.

Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.

Pub Date: Sept. 12, 2023

ISBN: 9781982181284

Page Count: 688

Publisher: Simon & Schuster

Review Posted Online: Sept. 12, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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