by Elmore Leonard ‧ RELEASE DATE: Sept. 1, 1996
Leonard's criminal farces tend to get derailed when his hero is a lady (Maximum Bob, 1991, etc.), and it happens again in his 33rd novel, a sweetly meandering fantasy spun out of the cutest meeting on record. Legendary bank robber Jack Foley has worked out an ingenious prison break. He'll blow the whistle on Jose Chirino's crowd tunneling under the perimeter fence, promote a guard's uniform, go through the tunnel himself, and head straight for his old pal Buddy Bragg, waiting with a getaway car. But Buddy's brought along car thief Glenn Michaels, and deputy US marshal Karen Sisco, who knows Glenn by sight, also happens to be on the scene. She pulls a shotgun on Foley, who loses his heart to her after Buddy disarms her and he's stashed in the trunk with her for the getaway. Before they part, he gallantly tells her to "have your clothes cleaned and send me the bill." Karen can't believe the nerve of this guy, but then—after she gets a slot on the task force that has tracked Foley to Detroit, where he and his increasingly violent playmates plan to kidnap moneyed ex-con inside trader Richard Ripley—she starts to fall for him, too. Leonard has a lot of lazy fun setting up a cockeyed array of good guys (like Karen's p.i. father Marshall, who worries that her stakeouts with Florida state cop Ray Nicolet are too much like dates) and bad (such as the homicidal Maurice "Snoopy" Miller and his brother Kenneth, who likes to tussle with females). But for all the hip, loco dialogue he scatters as Karen and Foley improve their relationship while plotting against each other like Bugs Bunny and Elmer Fudd, he never really seems to have his heart in this caper. A master coasting is still a master, but nobody will take this for top-drawer Leonard.
Pub Date: Sept. 1, 1996
ISBN: 0061740314
Page Count: 304
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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