Only the clumsily handled serial killer subplot and a depressingly tidy climax mar a sparkly and entertaining debut.
A richly comic first novel about a British journalist, in her late 20s, who is just getting over the sudden death of her mother, an event both more and less traumatic than one would imagine.
Determined to plow on with life, Tansy thinks about how to dress for the funeral—“I enjoyed the bimbo widow look”—and what to do with the £50,000 she’s just inherited. She and boyfriend Tom decide to take a tour of Southeast Asia, a plan that falls apart when Tom splits up with her. After a days-long bacchanal of dinners, drugs and drink, Tansy jets off alone for Vietnam. Used to her urban Soho apartment and the easy accessibility of designer clothing and drugs (cocaine’s her favorite), it takes her some time to get the hang of things there. But soon she’s met up with a group of Australian “backpackers”—a term Tansy furiously refuses to apply to herself—and started to enjoy her new life. Dropped clunkily into this breezy narrative is a subplot about a maniac killer of blond backpackers in Asia, a fact that doesn’t worry blond Tansy as much as it does the people she e-mails back home. Bit by bit, she surprises herself by befriending people she wouldn’t have associated with in London and even finding a new boyfriend, far and away more caring than Tom ever was. Tansy’s easy elitism makes for hilarious telling; and though her moods and lifelong convictions seem to change in a minute, Barr’s intimate knowledge of Tansy’s character—she herself is a British journalist (London's Observer, The Guardian) who spent a year travelling in Asia—makes all come off not as Bridget Jones-esque flightiness but just as the ever-churning mind of a bright and rebellious woman in flux.
Only the clumsily handled serial killer subplot and a depressingly tidy climax mar a sparkly and entertaining debut.Pub Date: Jan. 1, 2001
ISBN: 0-452-28293-4
Page Count: 320
Publisher: Plume
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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