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LAST NIGHT AT THE CIRCLE CINEMA

An ambitious failure.

Three best friends spend the night before graduation in a run-down movie house.

Bertucci, Olivia, and Codman have been best friends all through high school, and on the eve of their graduation, the trio agrees to spend their final hours as high school students locked in the recently boarded-up Circle Cinema. In these few hours, truths are revealed, hearts are torn open, and futures are decided upon. These ambitions ultimately sink the novel. The enterprise is burdened with overthought dialogue, clumsy metaphors, and what comes across as a desperate desire to be seen as adult. The novel switches narrative perspective from teen to teen at the beginning of every chapter, but the device is unsuccessful: these characters all sound and think the same. These attributes almost make the book work as thematic commentary on the nature of teenage friendship, but unfortunately it doesn’t go much beyond the obvious observation that teens tend to think like their friends and are desperate to escape childhood. Throw in a half-baked love triangle and an apparent attempt to ape John Green and David Levithan's "Schrodinger's cat" metaphor from Will Grayson, Will Grayson (2010)—a metaphor that even that book barely pulled off—and you have a book that has all the hallmarks of a smart, sensitive book for teens but without the necessary nuance or emotional excitement.

An ambitious failure. (Fiction. 14-16)

Pub Date: Sept. 1, 2015

ISBN: 978-1-4677-7489-5

Page Count: 200

Publisher: Carolrhoda Lab

Review Posted Online: May 11, 2015

Kirkus Reviews Issue: June 1, 2015

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HOW I GOT SKINNY, FAMOUS, AND FELL MADLY IN LOVE

A biggest loser.

A fat teen employs patently unsafe weight-loss techniques on reality television and gets skinny.

Emery’s face-lifted, Botoxing mother named her after a manicure tool, yet somehow Emery doesn’t fit in with her swimsuit-model, boob-enhanced sister or fitness-freak father. What if she weren’t fat? She acquiesces to the filming of a weight-loss reality show in her home, wanting the prize—if Emery loses 50 pounds in 50 days, she’ll win $1,000,000—but author Baker, chief news correspondent of E! Entertainment Television, makes skinniness itself the golden goal, snarkily bashing fatness from the start. The show’s producers require intense exercise and severe calorie restriction; behind their backs, Emery adds laxative tea and Adderall. Attempts to satirize the extremity—the nutritionist who takes Emery down to 790 calories per day authored How to Eat without Actually Eating—have the impact of Post-it notes on a billboard. Baker wants it both ways: Laxatives, speed and “insanely low” calories give Emery both “an eating disorder” and “good habits,” a cognitive disconnect if ever there was one; moreover, the eating disorder vanishes after its single mention, ending the story on a bizarrely upbeat note. Continuity inconsistencies may well drive readers crazy; that 790-calorie diet could well be a 395-calorie diet, for instance, but it’s just not clear. Family secrets and reality TV twists aside, this is a cheap instruction guide for dangerous dieting.

A biggest loser. (Fiction. 14-16)

Pub Date: April 22, 2014

ISBN: 978-0-7624-5014-5

Page Count: 304

Publisher: Running Press

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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PLAY ME BACKWARDS

Surprisingly heartfelt. (Fiction. 14-16)

In his final year of high school, Leon must choose between maintaining his comfortable existence or blowing it all up to chase something greater. 

Leon is on track to do nothing extraordinary with his life. He works at the local ice cream shop alongside his best friend, Stan, and hangs out with the screwballs and weirdos that come in. The gang shuns such bourgeois drudgery as the SATs and college applications in favor of typical teenage tomfoolery, but there’s a fine line between a smart, bored kid and a burnout. Leon is the former. When a few moments of chance bring him and popular girl Paige together, Leon begins to shake out of his slacker stupor. This is a particularly smart and sweet teenage love story, refusing to rely on burning passion or overwrought sentiment. There’s an emotional maturity in the way Selzer draws Leon and Paige’s courtship. It is by far the best part of the book. Less engaging are the peripheral characters, particularly Stan, a kid who believes that he’s the devil himself. The character and his influence on the story just don’t work, and time spent with him feels wasted when it could be spent elsewhere. Leon’s journey to personal responsibility is another topic well-tackled, making this an engaging, character-driven piece with several pros that mightily outweigh the cons. 

Surprisingly heartfelt. (Fiction. 14-16)

Pub Date: Aug. 26, 2014

ISBN: 978-1-4814-0104-3

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: April 29, 2014

Kirkus Reviews Issue: May 15, 2014

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