A novelistic depiction of the famed politician and orator Cicero’s lifetime of devotion to the Roman Republic.
As depicted here, Marcus Tullius Cicero is born in 106 B.C.E. in the rural province of Arpino, and he’s an unhealthy baby, expected to die soon after his birth. He survives, although he’s plagued by sickness throughout his childhood and bullied by his peers. In Cicero’s late teens, Gaius Marius takes over the top position of Roman consul and refuses to relinquish power. Lucius Cornelius Sulla organizes an army to oppose his despotic designs. Cicero joins this army out of loyalty to the republic, ascends the ranks due to his sharp strategic mind, and eventually becomes Sulla’s trusted adviser. However, Sulla has tyrannical ambitions of his own, and when he announces his plan to storm Rome after the death of Marius and his henchman, Cinna, Cicero protests and returns home to Rome. He becomes a lawyer and rises to notoriety after he takes a case defending the unpopular Sextus Roscius, who’s accused of murdering his father; in this telling, Cicero proves that Sextus was framed by Lucius Sergius Catiline. Cicero is expelled from Rome as a result and made quaestor of Sicily; there, he opposes the local governor, who bilks his citizens through illegal taxation. Cicero eventually returns to Rome and becomes a senator, and he successfully opposes the power-hungry Catiline for the seat of consul. However, his career never quite recovers politically—he’s simply made too many enemies. Debut author Martin vividly captures Cicero’s unflagging commitment to the republic of Rome in this fictional dramatization. The prose is straightforward and unembellished but powerful, and the author mostly maintains historical accuracy, with some occasional storytelling license. The author also includes a riveting subplot about Cicero’s friendship with Julius Caesar, whose own fidelity to republicanism wasn’t nearly as uncompromising as Cicero’s. The novel is part of the Barbera Foundation’s Mentor Project series, dedicated to the portraiture of historically significant Italians. Besides its biographical content, its depiction of Cicero also movingly captures his stoical composure in the face of grave danger.
A wonderfully concise distillation of one of the greatest advocates of republicanism.Pub Date: Jan. 11, 2018
ISBN: 978-1-947431-03-4
Page Count: 252
Publisher: Barbera Foundation, Inc.
Review Posted Online: April 16, 2018
Kirkus Reviews Issue: May 15, 2018
Review Program: Kirkus Indie
Categories: GENERAL FICTION
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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
A love letter to the power of books and friendship.
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Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.
Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.
A love letter to the power of books and friendship.Pub Date: Oct. 8, 2019
ISBN: 978-0-399-56248-8
Page Count: 400
Publisher: Pamela Dorman/Viking
Review Posted Online: July 1, 2019
Kirkus Reviews Issue: Aug. 1, 2019
Categories: GENERAL FICTION | HISTORICAL FICTION | FAMILY LIFE & FRIENDSHIP
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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