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SISTER, SISTER

Newcomer Dickey is a witty, observant cousin to such writers as Terry McMillan and Connie Briscoe . . . with one major distinction: Dickey's a guy. Inda (``Linda, without the `L' ''), Valerie, and Thaddeus are siblings in Los Angeles with a white ``moms,'' a black ``pops,'' and a whole lot goin' on. Inda, the oldest, is fiercely protective of her siblings. She's also the most independent, as a children's social worker with a Stanford MBA and a 'tude to match her credentials. Valerie is married to Walter, a failed football player who treats her like dirt. Thaddeus is a Federal Express employee with a tough homeboy exterior and a soft side known only to his sisters. Complications ensue when Inda discovers her current flame, Raymond, in bed with ``his fiancÇe,'' Gina, while she's in the company of Chiquita, who, unbeknownst to her (but not for long) is also one of Raymond's lovers. The two women forge a friendship on the most unlikely foundation: having been cheated on by the same man. Then Valerie meets David, a mild-mannered jogger who's had his eye on her, and rediscovers her own value. Thaddeus falls in love with Chiquita and helps her come to terms with her checkered past, making himself vulnerable in the process. Dickey piles on the messages with abandon, debunking stereotypes left and right; if you see all men as dogs, all brothas as dangerous, and all sistahs as out for number one, he's determined to set you straight. He finds his way to his main points in the long run, but they're hammered home so hard you'll almost wish he hadn't: A sister is someone who looks out for you, a brother is someone who treats you right, and real friendship, loving family, and self-respect are worth more than gold. Told in alternating chapters by the three women characters, Dickey's spirited, mostly successful debut novel suffers only from a roughness around the edges and a wearing earnestness. (Author tour)

Pub Date: Oct. 21, 1996

ISBN: 0-525-94126-6

Page Count: 272

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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SEASONS OF HER LIFE

A fat pancake of a novel, the author's second hardcover production tells the life story of one Ruby Blue—from an abused childhood and youth, to years as wife of a Marine, personal liberation, life in the world of industry, and her golden years in a rural retreat. Throughout the career of Ruby Blue, monster men abound. There's Papa George in their Pennsylvania home, a slasher, smacker, and wife beater, who requires that his daughters repay him, in bucks, for the cost of raising them. Then there's Ruby's husband, Andrew (met in those WW II glory days in D.C.), who is heavy on the verbal abuse and generally amoral. Ruby's lifelong friend Dixie is regularly slugged mercilessly by husband Hugo. Ruby's longtime true love, Calvin, is a gentle soul, but his wife, Eva, is as lethal as the men; fortunately for Calvin, she lacks the biceps. Ruby weathers life with Andrew at Marine bases and puts up with his callous treatment of their two children, but after Andrew admits to having gambled away their son's college money she finally decamps to New Jersey. Ruby soldiers on with Dixie, and their kitchen cookie business goes international in no time. As for the men, they'll get theirs: Papa George is Bobbittized with scalding grape jelly; the late Hugo's ashes get lost in traffic; and Ruby dumps Calvin. But Andrew sees the light. Glop. However, bear in mind the author's smashing success in paperback, including her Texas saga (5 million sold).

Pub Date: April 1, 1994

ISBN: 0-345-36774-X

Page Count: 528

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1994

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ELEANOR OLIPHANT IS COMPLETELY FINE

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

A very funny novel about the survivor of a childhood trauma.

At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

Pub Date: May 9, 2017

ISBN: 978-0-7352-2068-3

Page Count: 336

Publisher: Pamela Dorman/Viking

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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