Hard-core Dickey fans will be entertained by this sexy, fast-paced romp. Others should check out his earlier work.


Out-of-work actors, small-time crooks, and desperate men are on the grift in this mediocre new outing from the prolific (and usually better) African-American Dickey.

In a prologue we see 15-year-old Dante trying to protect his mother from his abusive father and ending up in a juvenile facility. Now, ten years later and finally living the straight life in Los Angeles, Dante finds himself a victim of post–September 11 aerospace layoffs. While joblessness may be a problem, it hardly compares to the predicament of getting Pam, an older waitress whose table he’s been frequenting, to notice him. As a favor to his old mentor Jackson (who, erroneously being sued for child support, needs some quick cash), Dante agrees to work a cold job (an easy con) for grifter kingpin Scamz. He finally gets Pam’s attention by offering her a quick thousand (a struggling actor, she’s saving up for plastic surgery) for her help in the real estate swindle Scamz has lined up. Spanning three days, the story travels up and down LA, from the barrio to Scamz’s mansion, from deals gone bad to the steamy night Dante spends with Pam. Character his strong suit, Dickey unfolds a tableau of hungry people willing to compromise for a chance to get out of the hole life has put them in. But, still, with a long tradition of great hard-boiled LA novels to live up to, this one hits off-center: not quite dangerous or stylish enough for the villainy, not quite complex enough to stand as a character study. At the close, beaten and on the run, Dante has some tough decisions to make about Scamz, who took him under his wing long ago; Jackson, the best friend who double-crosses him; and beautiful Pam, older but certainly not wiser.

Hard-core Dickey fans will be entertained by this sexy, fast-paced romp. Others should check out his earlier work.

Pub Date: May 13, 2002

ISBN: 0-525-94663-2

Page Count: 320

Publisher: Dutton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2002

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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