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THE PERSIAN GAMBIT

Filled with explosions, multiple double crossings and distrust among the characters—all the ingredients for an unyielding...

A wrongfully accused government employee goes on a global trek, exposing clandestine operations and eluding men who circumvent obstacles with violence and murder.

Peter Graser, an analyst for the U.S. State Department, is at a party, keeping an eye on Irina Belakova, a woman who works for Russian intelligence but is being paid by the State Department for information relating to the Iranian ambassador to the U.N., with whom Irina is having an affair. Also in attendance is the assistant secretary for Intelligence and Research, who collapses and dies mere seconds after speaking with Peter. This is just the beginning of an elaborate series of events that ultimately proves to be a frame-up against Peter: an unsanctioned memo sent from his computer, a failed polygraph test and fingerprints connecting him to a murder weapon. Significant plot points accumulate quickly, but the story never feels convoluted. It’s more like a secret slowly being revealed, as details are introduced but not fully explained until later, such as Peter’s family fleeing Iran when he was young, how his family died and Roya, an Iranian woman he’s known since childhood. Peter’s association with Roya only deepens the suspicion against him. Their relationship is a narrative highpoint, their forbidden love and opposing political ideals making them an international Romeo and Juliet. Peter absconds to other countries, going first to London, where he investigates the hazy particulars of his father’s death. Once in the Middle East, Peter unravels a potential uprising, but on a much grander scale than he can anticipate. A steady pace is maintained throughout, and while there are more leisurely moments to piece together the ongoing threads of the story, there are numerous revelations and twists to throw readers back into the story headfirst.

Filled with explosions, multiple double crossings and distrust among the characters—all the ingredients for an unyielding political thriller running full tilt.

Pub Date: Nov. 5, 2011

ISBN: 978-0615547695

Page Count: 376

Publisher: Silent Rivers Press

Review Posted Online: Dec. 12, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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