A moving piece of Americana from a veteran team (Fly Away Home, 1992, etc.), introducing the orphan trains of the 19th and early 20th century to a picture-book audience. Marianne narrates; she's among 14 children from the orphanages and streets of New York City who are being shipped to the "New West" of Illinois and Iowa in search of good homes. At stop after stop her traveling mates are chosen, some clearly for their strength and usefulness, others for their looks. Marianne is neither strong nor pretty and is repeatedly passed over. Secretly she has promised herself that her mother would be at one of the stops to meet her. In the end she is taken in by a nice, elderly couple who readers know will treat her well. Himler's lovely watercolor and gouache paintings express both the loneliness and hope of the children in scene after scene of the rugged new country. A reminder that the good old days were not so idyllic; this book will have a place in the history curriculum, but it's also an involving read-aloud.Jesse Harmon's struggle to cope with the death of his younger brother, Bry, in a hit-and-run accident is complicated by his sense of guilt for having failed to prevent the accident and by his relationship with Bry's girl, Chloe. Jesse had been close to Bry, a talented 16-year-old whose deafness contributed to his death. Trying to deal with their grief, Jesse and Chloe collaborate in a search for the killer; working together, they feel a mutual attraction. Bunting skillfully creates suspense through an elusive witness (a local wino) and a false lead (a young drunk who can't remember whether he killed Bry). When the clues lead inexorably to Chloe's alcoholic mother, Jesse finds himself forced, with her acquiescence, to hurt Chloe by making the truth public. Despite the suspenseful pacing, Bunting handles Jesse and Chloe's relationship with sensitivity. By including several minor characters whose alcoholism is pivotal to the plot, she emphasizes the tragedy that alcohol can inflict on innocent bystanders and other family members.
Pub Date: April 10, 1988
ISBN: 0152058680
Page Count: 148
Publisher: Harcourt Brace Jovanovich
Review Posted Online: April 17, 2012
Kirkus Reviews Issue: March 15, 1988
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
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