by Eve Bunting ‧ RELEASE DATE: Sept. 30, 1999
In an unusually weak story from the prolific Bunting, a teenager wavers between staying silent and confessing his responsibility for a half-serious prank that results in two deaths. Offended at finding a girl on whom he had pinned some summer dreams making out with another boy, Brodie sneaks up to startle them, then watches in horror as they fall into the river and are swept away. His desperate effort to save them makes him an instant local celebrity. Injured, half drowned himself and sedated by the doctor, he has no chance to set the record straight at first, and as time goes by, the prospect of telling the truth becomes harder to contemplate. In the meantime, Alex, a visiting cousin who knows the truth, trumpets Brodie’s heroism for reasons of his own, while there is evidence of a mysterious witness to the tragedy. With the support of a loyal friend and loving parents, Brodie finds the strength to come clean, but since he has been presented as a stable, right-thinking character, his decision is never really in doubt. While Bunting hints at the price Brodie will have to pay for holding back, the story ends before the boom actually falls. Ingrid Tomey makes the horns of a similar dilemma much sharper in Nobody Else Has To Know (p. 890), while Marion Dane Bauer, of course, charted a more subtle route in On My Honor (1986). (Fiction. 10-12)
Pub Date: Sept. 30, 1999
ISBN: 0-06-027838-2
Page Count: 143
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1999
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by David Shannon ‧ RELEASE DATE: Sept. 1, 1999
The poster boy for relentless mischief-makers everywhere, first encountered in No, David! (1998), gives his weary mother a rest by going to school. Naturally, he’s tardy, and that’s but the first in a long string of offenses—“Sit down, David! Keep your hands to yourself! PAY ATTENTION!”—that culminates in an afterschool stint. Children will, of course, recognize every line of the text and every one of David’s moves, and although he doesn’t exhibit the larger- than-life quality that made him a tall-tale anti-hero in his first appearance, his round-headed, gap-toothed enthusiasm is still endearing. For all his disruptive behavior, he shows not a trace of malice, and it’ll be easy for readers to want to encourage his further exploits. (Picture book. 5-7)
Pub Date: Sept. 1, 1999
ISBN: 0-590-48087-1
Page Count: 32
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1999
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by Kate DiCamillo ‧ RELEASE DATE: March 1, 2001
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
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