"My dad and I live in an airport. That's because we don't have a home and the airport is better than the streets. We are careful not to get caught." Thus begins this poignant narrative in the voice of a preschooler. The boy's widower-father leaves him with another homeless family when he goes to his part-time job as a janitor, and searches second-hand newspapers for more work and an apartment they can afford: "After next summer, Dad says, I have to start school"—but how? Meanwhile, in the vast, impersonal space where lucky travelers are welcomed home, the two find some sense of community but treasure their hope of escape to a place of their own. Using quiet browns and blues to suggest the sterile-looking airport and depicting the homeless with undefined faces and averted eyes—which evoke both their own need to be unseen to survive and others' aversion to seeing them—Himler matches Bunting's understated text with gentle sensibility. Like The Wall (1990), an outstanding presentation of a serious topic for young children.
Pub Date: March 18, 1991
ISBN: 0-395-55962-6
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2000
A joyful celebration.
Families in a variety of configurations play, dance, and celebrate together.
The rhymed verse, based on a song from the Noodle Loaf children’s podcast, declares that “Families belong / Together like a puzzle / Different-sized people / One big snuggle.” The accompanying image shows an interracial couple of caregivers (one with brown skin and one pale) cuddling with a pajama-clad toddler with light brown skin and surrounded by two cats and a dog. Subsequent pages show a wide array of families with members of many different racial presentations engaging in bike and bus rides, indoor dance parties, and more. In some, readers see only one caregiver: a father or a grandparent, perhaps. One same-sex couple with two children in tow are expecting another child. Smart’s illustrations are playful and expressive, curating the most joyful moments of family life. The verse, punctuated by the word together, frequently set in oversized font, is gently inclusive at its best but may trip up readers with its irregular rhythms. The song that inspired the book can be found on the Noodle Loaf website.
A joyful celebration. (Board book. 1-3)Pub Date: Sept. 1, 2020
ISBN: 978-0-593-22276-8
Page Count: 24
Publisher: Rise x Penguin Workshop
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
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