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A GLASSFUL OF LETTERS

Friendship, fear, and exile inform this latest from Irish novelist and storywriter Conlon (Taking Scarlet as a Real Colour, not reviewed), a brilliant epistolary work suffusing a portrait of modern Dublin with the subtle wit of Clarissa. Helena, like most stewardesses, is good at observing things from a distance.”This story is not about me,” she admits at the start. “It’s about my neighbour, Connie, and other neighbours, and what happened to her and us one year. She was brave.” Connie, you see, is married to Desmond, a Dublin art teacher. She has several children whom she loves, but she’s neither particularly happy with her lot nor desperate enough to change it. One great sorrow is her loss of her friend Fergal, who’s moved to New York to find work as an architect. Fergal corresponds with Connie and Helena both, although Helena (accustomed to long periods on the road with Aer Lingus) is a much better gossipmeister, filling Fergal in on the Dublin scene. From Helena, for example, Fergal learns that Desmond’s rather aloof father Bernard, a bibliophile and manager of the Waterford Glass factory, has begun corresponding with prisoners as a kind of charitable hobby. Connie, bored to death and inspired by her father-in-law’s example, follows suit and begins to exchange letters with Senan, an IRA convict. Fergal learns, to his horror, that Connie has become infatuated with Senan and that Senan has actually been released from the slammer. What will become of Connie’s marriage? Or her friendship with IRA opponent Fergal? For that matter, what will become of Ireland? And how can Helena and her husband Kevin be so blasÇ about everything? To Fergal, it seems that his countrymen have gone daft, though in fact a larger process is at work in the society he left behind. A splendid reworking of the standard circle-of-friends saga, and a timely and fascinating glimpse of 1990s Ireland.

Pub Date: Oct. 26, 1998

ISBN: 0-85640-618-X

Page Count: 208

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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