Four angry young 1970s women form a feminist publishing house in London only to find their own ambition no less virulent than men’s—in Weldon’s (Wicked Women, 1997, etc.) wry and witty examination of where feminism went wrong and, occasionally, right. The sexual revolution has just begun, but Stephanie is already fed up with her marriage to antiques dealer Hamish, a suburban heartthrob who lusts after every woman but her. Hosting a consciousness-raising meeting one summer evening, Stephanie thrills to the suggestion made by Layla, an heiress, that the women start their own publishing house and call it Medusa. She even joins in as Layla, Alice (an academic and I Ching addict), and Zoe (overeducated housewife/mom) defiantly remove their clothes and dance naked and unashamed before the living room windows. But when Stephanie wanders upstairs to find Daffy, another “sister,” getting it on with Hamish, she abandons the house without even her clothes, leaving husband, home and children in guileless Daffy’s hands. Stephanie’s marriage may be dead, but Medusa has been born; for the next two-and-a-half decades, Stephanie, Layla, and Alice struggle to keep their woman-centered business solvent without crossing the border into “unacceptable” commercial success. Along the way, they suffer the indignities of loneliness—as the courts limit Stephanie’s access to her children, Layla continues an affair with a powerful but married man, and Alice moves ever closer to the maniacal extremes of goddess-worship. But at least they have each other. Zoe, who opted for a traditional family life, labors in isolation on her book (Lost Women) and then commits suicide when her husband tells her (falsely) that Medusa has turned the manuscript down. Eventually, Medusa turns the book into a massive success—but with success will come the seeds of disintegration. Weldon’s clever comparisons of yesterday’s mores to today’s spice up this bubbling feminist brew, offering a study of the costs and consequences of the idealistic life that is sharp, funny, and all too true.
Pub Date: Oct. 1, 1998
ISBN: 0-87113-720-8
Page Count: 352
Publisher: Atlantic Monthly
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 1998
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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