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HALIDE’S GIFT

A memorable read: heartfelt, historical, richly realistic. Maybe Kazan can persuade husband Elia to direct a movie version.

In this quasi-mystical second novel by Kazan (Good Night, Little Sisters, not reviewed), two girls reach maturity in Constantinople during the tumultuous decade 1890–1900.

Seven-year-old Halide hears her mother’s death rattle and sees the color drain from Selima’s cheeks; then her shocked father, Edib Bey, finds another man’s face in his wife’s locket. In a mosque Halide hears Selima singing; the gift of seeing the dead is handed down through the family’s females, her Granny tells her later. Edib Bey wants brilliant Halide educated by tutors to ready her for the American Girls College, but Granny is shocked. Such education will ruin Halide’s chances to marry, she asserts. Good Turkish husbands want to look down on their wives, not have rivals, and what’s more, those infidels will weaken Halide’s religious beliefs. In Kazan’s depiction of the Ottoman Empire’s waning years, women are kept so ignorant they can read neither clocks nor labels on important medicines, and so let the sick die or recover as God wills. Edib Bey brings home Mahmoure, an irrepressible 12-year-old whose father is in exile, to be Halide’s sister. In fact, Mahmoure truly is Halide’s half-sister; Selima eloped at 15 with unruly Ali Shamil, then divorced him at the behest of Ali Pasha and married Edib Bey. (It is Shamil’s photo Edib saw in his dead wife’s locket.) When the girls are old enough to marry, they must veil their faces. Mahmoure’s father arranges from afar her engagement to the grandson of the Imam of Suleiman, but she wants to marry Riza, a poor army officer. Although Halide wins a great prize at the American Girls College, she’s still uncomfortable barefaced and wears a veil for years before she becomes a teacher’s wife. Her father weds the wealthy and brilliant Teyze, but their world falls apart, the Young Turks rise, the state goes into bankruptcy—and Halide goes on to write 25 novels.

A memorable read: heartfelt, historical, richly realistic. Maybe Kazan can persuade husband Elia to direct a movie version.

Pub Date: July 3, 2001

ISBN: 0-375-50511-3

Page Count: 256

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2001

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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