A quirky coming-of-age for girls ready to discover their cool aunt’s stash of vintage copies of Sassy. In her first months of high school, Janie Gorman is discovering the unfortunate, not at all subtle differences between offbeat and off-putting as the daughter of a rather dilettantish farming family. Sure, she sews her own up-cycled clothes, creating skirts “made out of an old pair of jeans and some killer fabric scraps,” and embraces milking the farm’s goats, Loretta Lynn, Tammy Wynette and Patsy Cline. But to catch the bus on time, Janie occasionally forgets to remove the hay from her hair or scrape the goat dung from her shoes, and it’s getting her noticed, in a feeling-forced-to-hide-in-the-library-during-lunch kind of way. Encouraged by the sweet, thoughtful and utterly misnamed Monster Monroe to “live large” and embrace her whole, idiosyncratic self, Janie and her best friend, straight-laced and super-academic Sarah, go all-in. They hurl themselves into a project highlighting local heroes of the Civil Rights Era, learn to play bass and accordion and outgrow a hopeless shared crush on hunky jerk Jeremy Fitch. That’s a lot of ground to cover, and the plot occasionally teeters under the weight of its many developments and down-home secondary characters, but Janie’s voice—anxious, funny and winning—holds it all together as she finds and takes her place at school and on the farm. (Fiction. 11-14)
Pub Date: March 22, 2011
ISBN: 978-1-4169-9585-2
Page Count: 224
Publisher: Atheneum
Review Posted Online: Feb. 17, 2011
Kirkus Reviews Issue: Feb. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes
A gripping thriller in dystopic future Los Angeles.
Fifteen-year-olds June and Day live completely different lives in the glorious Republic. June is rich and brilliant, the only candidate ever to get a perfect score in the Trials, and is destined for a glowing career in the military. She looks forward to the day when she can join up and fight the Republic’s treacherous enemies east of the Dakotas. Day, on the other hand, is an anonymous street rat, a slum child who failed his own Trial. He's also the Republic's most wanted criminal, prone to stealing from the rich and giving to the poor. When tragedies strike both their families, the two brilliant teens are thrown into direct opposition. In alternating first-person narratives, Day and June experience coming-of-age adventures in the midst of spying, theft and daredevil combat. Their voices are distinct and richly drawn, from Day’s self-deprecating affection for others to June's Holmesian attention to detail. All the flavor of a post-apocalyptic setting—plagues, class warfare, maniacal soldiers—escalates to greater complexity while leaving space for further worldbuilding in the sequel.
This is no didactic near-future warning of present evils, but a cinematic adventure featuring endearing, compelling heroes . (Science fiction. 12-14)Pub Date: Nov. 29, 2011
ISBN: 978-0-399-25675-2
Page Count: 336
Publisher: Putnam
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK TO SCREEN
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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