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THE BOOK OF SPLENDOR

Delightful: rich in its characters, vivid in its setting, and genuinely intriguing overall.

A rich historical from Sherwood (Green, 1995; Vindication, 1993) about 17th-century Prague’s Rabbi Loew, his Golem, some English alchemists, and an obsessed Habsburg emperor.

Many know the story of Rabbi Loew, the saintly, erudite tzaddik (holy man) who made a giant out of mud and breathed life into him. Loew is indeed one of Sherwood’s characters here, but the real protagonist is Rochel, a Jewish seamstress who marries the kindly but dull cobbler Zev because, since she’s of illegitimate birth, no one else will have her. Rochel is one of the best tailors in Europe, and her skill in making clothes for the gentry and courtiers of Hradcany Castle brings her to the attention of Emperor Rudolph II. A vain hypochondriac, Rudolph has heard about two shady English alchemists (John Dee and Edward Kelly) whom he believes have discovered the elixir of immortality, so he brings them to Prague and orders them to produce it for him. Charlatans or not, Kelly and Dee are in a no-win situation: If they fail to create the elixir, Rudolph will have them executed for fraud—but if they succeed, he will put them to death to keep them from revealing the secret to others. Meanwhile, civil unrest is brought about by the rise of Protestantism and threats of Ottoman invasion, giving rise to new resentment against the Jews. So Rabbi Loew creates his Golem, named Yossel, to defend the inhabitants of the Judenstadt ghetto. Naturally, word of Yossel’s exploits (he saves Rochel from drowning, for a start) reaches the emperor, who tries to bring the rabbi into his immortality project. Loew knows it’s always best to keep a good distance from the throne, but he also knows how to bargain—his knowledge in exchange for protection of the Jews. A deal with the devil? Read and see.

Delightful: rich in its characters, vivid in its setting, and genuinely intriguing overall.

Pub Date: July 8, 2002

ISBN: 0-393-02138-6

Page Count: 352

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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