by Francesca Duranti ‧ RELEASE DATE: March 1, 1993
Hunting for literary treasure is again the subject of a Duranti novel; in The House on Moon Lake (1986), this Italian author's debut, the quarry was a lost masterpiece; in her slim third novel, it's an elusive Eastern European writer. The sleuth is Valentina Barbieri, a 30-year-old Milanese whose ego is as fragile as that of her counterpart in Moon Lake. For ten years she's been husband Riccardo's right arm, researching his lucrative series of biographies of the Church Fathers; now Riccardo has left her for a ``chic new girlfriend,'' and Valentina must create her identity from scratch. Prodded by her feminist mother, she decides to write an article on Milos Jarco, the hot young Slav author. Easier said than done, though. She gets a friendly enough reception at the Writers' Union in Jarco's hometown behind the still-hanging Iron Curtain, but there's no hard information on the ``man [who] went from nonexistence to world fame in a flash''; even his whereabouts are a mystery. Valentina's questions attract the attention of the eavesdropping authorities—and the more welcome attention of handsome young poet Ante Radek. The futile search for Jarco takes a backseat to Ante's courtship, as the unassailably pure young Communist inveighs against the depraved Western appetite for possessions (embodied in Riccardo) while begging Valentina to stay. This friendly spy-turned-lover ends by telling Valentina the truth about Jarco in a flat, long-winded denouement. Duranti's story runs out of steam early on, and the clunky conversations about Having and Being never mesh with the narrative. Disappointing.
Pub Date: March 1, 1993
ISBN: 0-679-41104-6
Page Count: 172
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1992
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More by Francesca Duranti
BOOK REVIEW
by Francesca Duranti & translated by Francesca Duranti
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by Francesca Duranti & translated by Stephen Saratelli
by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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