by Francesca Duranti ‧ RELEASE DATE: March 1, 1993
Hunting for literary treasure is again the subject of a Duranti novel; in The House on Moon Lake (1986), this Italian author's debut, the quarry was a lost masterpiece; in her slim third novel, it's an elusive Eastern European writer. The sleuth is Valentina Barbieri, a 30-year-old Milanese whose ego is as fragile as that of her counterpart in Moon Lake. For ten years she's been husband Riccardo's right arm, researching his lucrative series of biographies of the Church Fathers; now Riccardo has left her for a ``chic new girlfriend,'' and Valentina must create her identity from scratch. Prodded by her feminist mother, she decides to write an article on Milos Jarco, the hot young Slav author. Easier said than done, though. She gets a friendly enough reception at the Writers' Union in Jarco's hometown behind the still-hanging Iron Curtain, but there's no hard information on the ``man [who] went from nonexistence to world fame in a flash''; even his whereabouts are a mystery. Valentina's questions attract the attention of the eavesdropping authorities—and the more welcome attention of handsome young poet Ante Radek. The futile search for Jarco takes a backseat to Ante's courtship, as the unassailably pure young Communist inveighs against the depraved Western appetite for possessions (embodied in Riccardo) while begging Valentina to stay. This friendly spy-turned-lover ends by telling Valentina the truth about Jarco in a flat, long-winded denouement. Duranti's story runs out of steam early on, and the clunky conversations about Having and Being never mesh with the narrative. Disappointing.
Pub Date: March 1, 1993
ISBN: 0-679-41104-6
Page Count: 172
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1992
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by Francesca Duranti & translated by Francesca Duranti
BOOK REVIEW
by Francesca Duranti & translated by Stephen Saratelli
by Stephen King ‧ RELEASE DATE: April 8, 1974
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
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by Stephen King & Peter Straub
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by Stephen King
BOOK REVIEW
by Stephen King
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PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
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