by Francine du Plessix Gray ‧ RELEASE DATE: Nov. 11, 1998
Despite his manic promiscuities and a conspicuous gift for generating catastrophe, the Marquis de Sade was, according to Gray, a happily married man. In 1990 the monstrous Sade’s literary stock rose inestimably. Gallimard, the famous French publishing house, issued a two-volume set of his works in its prestigious series of classics, Bibliothäque de la PlÇiade. Now a very fine biographer has turned her attentions to Donatien Alphonse Franáois, Marquis de Sade (1740—1814). Gray is a woman of already substantial reputation as a novelist and journalist who established her credentials as a biographer with her excellent study of Flaubert’s lover, Louise Colet (Rage and Fire, 1990). Of course, many scholars have worked assiduously at Sade’s biography over the years, and Gray doesn—t claim to offer fresh discoveries. However, she can claim to offer fresh insight. The angle of vision she develops in her version of his life is that of Sade’s relationship with his devoted and loving and interestingly ordinary wife, PÇlagie, and their family. For his part, Sade seems also to have been devoted to PÇlagie, in his own odd way. Often prosecuted and publicly vilified for his sexual excesses (which are not nearly so bad as those he depicts in his fiction, but which remain sufficiently disgusting), Sade could always count on the support of his PÇlagie. The people who knew “Donatien” well, his biographer suggests, “detected a secret gentleness in him, something like a hidden stream of sweetness flowing through the heart of his being, which may well have been the secret of his terrible charm.” PÇlagie’s energetic husband will not win many admirers, but his life makes quite a story. Gray’s sharp and vivid prose, together with her skills as a storyteller, give this biography its edge over the scholars whose works have preceded it.
Pub Date: Nov. 11, 1998
ISBN: 0-684-80007-1
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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