An accurate but lifeless retelling.

THE QUEEN'S LOVER

Du Plessix Gray attempts to fictionalize the love of Marie Antoinette’s life, without much success.

Axel von Fersen, a Swedish count, first meets the young Austrian princess Marie Antoinette, recently wed to the future king of France, at the Paris Opera. The handsome courtier and the graceful, sensitive dauphine instantly form a lifelong bond. Fersen, a diplomat and soldier, embarks with Lafayette’s armies to aid the American colonists in their revolutionary war, and his letters to his beloved sister Sophie detail these adventures. But eventually Fersen, after an exhausting grand tour in the service of Sweden’s flamboyant King Gustavus, reunites with Antoinette. The queen’s marriage, celibate for years due to a minor sexual dysfunction, is finally consummated and Antoinette is now a mother. As Louis XVI occupies himself with hunting and gluttony, Antoinette and Fersen tryst at her private lodge, Le Petit Trianon, and in secret quarters in the palace of Versailles. Soon, the revolt of the French populace ends this idyll. Fersen attempts to help the king and queen flee the revolution by smuggling the royal family out of Paris. Unfortunately, their escape is aborted, thanks in large part to the naiveté of Louis and the tardiness of Antoinette. As Fersen takes refuge in Belgium, the king and queen are held in progressively more restrictive settings until they are condemned to die. Although this is an absorbing and vivid exposé of the many missteps that led to the downfall of Louis and a sympathetic portrayal of the young queen and her noble endurance of the sadistic treatment that preceded her execution, it is not a novel. The narration, shared by Sophie and Fersen, hews too slavishly to events documented by contemporaneous accounts. All is summary; there are virtually no scenes imagining the characters’ lives; they never transcend their historically verifiable roles. Not even the last section, a grim recitation of Sweden’s own anti-royalist upheavals (leading to Fersen’s slaughter by an angry mob), realizes its dramatic potential.

An accurate but lifeless retelling.

Pub Date: June 18, 2012

ISBN: 978-1-59420-337-4

Page Count: 304

Publisher: Penguin

Review Posted Online: June 17, 2012

Kirkus Reviews Issue: July 1, 2012

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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