by Francine du Plessix Gray ‧ RELEASE DATE: June 25, 2001
A superbly nuanced portrait of a tortured character.
A lucid portrait of the enigmatic French writer and mystic.
With this volume, Gray (At Home with the Marquis de Sade, 1998, etc.) adds to the considerable success already achieved by the Penguin series of brief biographies. Weil makes for a challenging subject: Her writing is relatively unknown in the US, and in many respects her life was her most ambitious work. Born into a prosperous Jewish family in 1909, she eventually found fulfillment through a combination of extreme asceticism, solidarity with the working class, and Catholicism. At 16 she wrote, “Sacrifice is the acceptance of pain, the refusal to obey the animal in oneself, and the will to redeem suffering men through voluntary suffering.” And suffer she did: lifelong migraines, anorexia, and a tendency—perhaps subconscious—towards self-mutilation. As Gray observes, for Weil “the cult of self-mastery could all too readily become self-destructive.” Despite her cultivation of personal misery, Weil achieved a great deal. A brilliant student, she went on to considerable success as a schoolteacher, and offered free courses to working people in her spare time. She also spent a year working in various factories, where she attempted (with increasing disillusionment) to help the workers organize. Despite her sympathies with the working class (and her service with the Republican forces in the Spanish Civil War), Weil was an early critic of Stalin and the Communist Party. Her position reflected a deep suspicion of power: A keen student of Machiavelli and Hobbes, she realized that those in power, whatever their professed beliefs, quickly become concerned primarily with self-perpetuation at the cost of social advancement. Towards the end of her brief life (she died at 34), Weil became deeply attached to Catholic doctrine, but she was reluctant to identify herself with any religion and deliberately chose not to be baptized. Many of her most important essays date from her final years and concern her search (never fully realized) for redemption.
A superbly nuanced portrait of a tortured character.Pub Date: June 25, 2001
ISBN: 0-670-89998-4
Page Count: 240
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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