Corsaro’s karma? Still in question.

KUNMA

First novel—and a horror novel at that—by veteran opera director Corsaro.

Eight years ago, David Sussman went to India to sit at the feet of Rajneesh, and when he returned to Manhattan’s Psychiatric Institute he tried to get the Institute to bring Buddhist ideas to bear on the its method of analysis. For that, he was tossed out. Although he has some Buddhist trimmings in his office and technique, Dr. Sussman will strike few as a therapist of great resources when he reduces analysis to “games people play”—but we know he’ll pay for his simple-mindedness. Beautiful millionairess Laurel Hunt approaches him to look into the case of her prominent art dealer husband, who has been invaded, she says, by an evil entity or malevolent force that David comes to know as “Kunma.” His wife ties Hugh Caswell Hunt’s breakdown to the murder of Charles Kirkwood Palfrey, acting head of the Hunt Galleries in London, whose tongue was ripped out. When David interviews Hugh and reads up on him, he decides to transfer Laurel to bubbling occultist Dr. Ara Havakian, who warns David about Kunma but then has his own tongue ripped out and his brain chewed by canine-like incisors. Can it be the work of Tibet’s brain-eating Tolos monster? A tape Ara made of Laurel reveals that her husband is bisexual and that she’d had an affair with the late Charles Palfrey. David beds her, too, and she tells him that now he’ll also be on Kunma’s list. Then the drooling mouth and teeth of dead Palfrey savagely attack Laurel’s genitals. When David at last faces tongueless Kunma, a soul trapped in hell, he finds the thing seeking him as a teacher. Can David’s answers lie in the Tibetan Book of the Dead when he finds himself part of Kunma’s karmic destiny?

Corsaro’s karma? Still in question.

Pub Date: June 1, 2003

ISBN: 0-765-30472-4

Page Count: 336

Publisher: Forge

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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