A ROAD WE DO NOT KNOW

An immensely effective and affecting first novel from a retired US Army officer detailing how George Armstrong Custer and his soldiers came to glorious grief at the hands of hostile Indians in the valley of southern Montana's Little Bighorn River. The episodic narrative brings the events of Sunday, June 25, 1876, to vivid life by providing a minute-by-minute account (as accurate as research can make it) of the movements made by the 600- odd soldiers under Custer's command and by principal members of the alliance of Sioux, Cheyenne, and lesser tribes assembled by Chief Sitting Bull. Part of a three-pronged military campaign mounted against Plains tribes, the 7th Cavalry had been warned by Indian scouts that a huge encampment lay in its path. Apprehensive that his quarry might have spotted smoke from the regiment's cooking fires, Lieutenant Colonel Custer (a brevet general during the Civil War) decided to attack without delay. Dividing his vastly outnumbered force, he put Major Marcus Reno's troops in motion and sent Captain Frederick Benteen on a reconnaissance mission. Badly mauled in a running battle, Reno's unit withdrew to higher ground, where it was subsequently joined by Benteen's three companies. Meantime, Custer (who feared the Indians might slip away) advanced along a promontory known as Greasy Grass Hill. Here, he and approximately 250 of his men were surrounded and annihilated by an overwhelming band of well-armed braves led by Crazy Horse and Gall. Only Comanche, the faithful-unto-death mount of an Irish soldier of fortune, survived the fearful battle. While Chiaventone's version of an oft-told tale has neither heroes nor villains (only mortal creatures accepting their fates with varying degrees of grace), it does not lack for dramatic conflict. And it offers a powerful, unsparing portrait of close combat on the frontier. In all: historical fiction of a very high and consequential order.

Pub Date: Sept. 1, 1996

ISBN: 0-684-83056-6

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1996

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There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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