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MOON OF BITTER COLD

A microscopic examination that sets the entire Indian conflict in new light: gritty, evenhanded, starkly unsentimental view...

Dramatic tragedy about Wyoming’s Fetterman Massacre, told in meticulously accurate, unsparingly gruesome detail by an eminent military historian.

On a cold day in December 1866, the pugnacious Lieutenant Colonel William Fetterman set out with 80 armed men from Fort Phil Kearney on the Bozeman Trail (just a few miles south of the Bighorn mountains, where Custer would meet his doom ten years later), and, against orders, tried to kill members of an Indian raiding party when he was ambushed by a diverse group of tribal warriors, Crazy Horse among them. Though the Indians suffered losses (the battle’s Indian name is The Fight of One Hundred Dead), Fetterman’s force was wiped out and hideously mutilated. Chiaventone (International Security/US Army Command College) shows that, though Fetterman himself was in fact a hot-headed fool, his commander, Colonel Henry Carrington, struggled valiantly afterward to keep an uneven peace with a variety of tribal adversaries, most notably Red Cloud, portrayed by Chiaventone as an explosively violent, hateful chief spoiling for a fight in the hope that an easy victory against the settlers would solidify his shaky position within the tribes. In what is essentially a prequel to his excellent novel of Custer at the Little Bighorn, A Road We Do Not Know (1996), Chiaventone points out that by severely underestimating their adversaries, both sides hastened on a horrific road to ruin. The story ends on a sad, almost wistful note as, years later, Red Cloud and Carrington encounter each other at the battlefield, where they wonder whether so much unnecessary bloodshed was the result of human frailties—or simply foreordained.

A microscopic examination that sets the entire Indian conflict in new light: gritty, evenhanded, starkly unsentimental view of good intentions—on both sides—gone bad.

Pub Date: April 1, 2001

ISBN: 0-765-30093-1

Page Count: 400

Publisher: Forge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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