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BANK NOTES

2ND EDITION

A gleefully intricate tale of criminals, Wall Streeters, and various combinations thereof.

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In Hill’s debut thriller, a criminal seeks vengeance on a Manhattan investment banker and his lawyer wife.

Ellis Hord has made a name for himself at the New York City–based bank Mercantile Merchant, but it’s his past career, as a Pennsylvania cop two decades ago, that’s made him a target of Russian drug lord Nicholai Sidorov. During an undercover operation, Ellis had been involved in a gunfight in which several of Sidorov’s men were killed; the drug lord’s son, Peatra, was injured and subsequently imprisoned. Now Peatra, who endured abuse from other inmates and failed to receive proper medical care, is slowly dying. In an act of revenge, Sidorov sics his assassin, Konstantin, on Ellis and his former police partner, Michael Jackson; he also targets Ellis’ wife, Maggie, and even the couple’s dog. Around the same time, convicted serial rapist Justin Brookings escapes Rikers Island. He plots his own retribution against Maggie, the assistant district attorney who helped to convict him. Meanwhile, Ellis gets caught up in a merger between two firms, as one of them, Affordable Long Distance, is Mercantile Merchant’s client. At the same time, ALD’s CEO is suspected of shady deeds, which could end up tarnishing the bank’s reputation. However, Ellis and his loved ones aren’t the only ones in mortal danger. To further complicate matters, an unknown person has been brutally raping and murdering women, all of whom have connections to Ellis’ place of employment. As this summary makes clear, Hill’s novel is complex, but the narrative is never difficult to follow. The author skillfully manages a multitude of characters, providing succinct but pertinent details that clarify their roles in the plot. The many players include Jacques Torzinger, Jackson’s old friend who once worked as a Mossad analyst; and Carol, the Hords’ dogwalker, who may be in peril just because of her association with the couple. One drawback, however, to such a large cast is that several exceptional characters have disappointingly few or brief appearances. Jacques, for one, could carry his own novel or series all by himself, and Chet Bradford, a smart and capable police officer who works with Maggie, is also prime protagonist material. The pace is consistently brisk even during the many discussions about investments or financial decision-making; the author clarifies financial terminology, such as “initial public offerings” or “special purposes entities,” in footnotes without cluttering the narrative. But Hill also makes his characters’ environments memorable; in one scene, for instance, Chet and others walk into an autopsy room, which is described as having “a cold feel from more than just the ambient temperature” and “a strange smell—medicinal mixed with Lysol and formaldehyde.” The book’s lengthy final act offers a hodgepodge of significant deaths and shocking revelations. Although a few characters’ fates are left open and some other matters remain unresolved, it’s evident by the end that Hill is setting the stage for a sequel—one that readers will surely welcome.

A gleefully intricate tale of criminals, Wall Streeters, and various combinations thereof.

Pub Date: March 14, 2018

ISBN: 978-1-4834-7563-9

Page Count: 348

Publisher: Lulu Publishing Services

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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