by Gabriel Bacopa ‧ RELEASE DATE: Dec. 6, 2018
Bizarre but often compelling tales with discernible morals.
Everyday people endure discrimination, hypocrisy, and occasional bouts of psychosis in Bacopa’s (Eating Ice Cream in Armageddon, 2017) short story collection.
In “A Day with the Professor,” an apparent substitute teacher walks into a philosophy class at Yale University. In response to his seemingly deranged ramblings (“The Mush has a ghost, even though the ghost is dead”), the students employ their knowledge of philosophy to explain what the man is presumably teaching them. They’re not the only characters in this collection to face seemingly insane behavior from others. For example, British anthropologists visit a village in “The Drummers,” in which the residents’ endless drumming takes precedence over caring for sickly villagers—or mourning their inevitable deaths. In the darkly humorous “Letters from the Fourth Reich,” an author (also named Gabriel Bacopa) corresponds via email in Los Angeles with a woman, Labeeba, in Germany. He laments the escalating discrimination against people of color in the United States (stoked by its leader, Ronald Pump). However, his statements later become confusing, as he claims that he escaped from prison after being there a year, and Labeeba responds that he was only there for 45 minutes. In other tales, characters experience possibly psychotic episodes. John, a forensic pathologist in “Introspection,” believes that a body on a slab is identical to his, and he’s soon convinced the corpse is him. In the concluding story, “Fainting Girls,” John (apparently a different person) is so “devastatingly handsome” that women pass out in his mere presence. A doctor tries to decipher what’s triggering these reactions, considering the possibility of psycho-emotional conflicts or something paranormal. Bacopa’s straightforward prose, which includes bare-bones descriptions, perfectly suits these seven stories, as most events are transparently metaphorical. Readers may even interpret them as allegories. John of “Introspection,” for example, is quite understandably comfortable with the notion of death and only reflects upon it—and fears it—when it’s literally staring him in the face. One of the strongest stories here is “The Hypocrisy Foundation,” in which Dr. Harris, a sociologist, develops a scale to measure people’s “fakeness,” which he later upgrades to “hypocrisy.” He essentially determines that the richer a person is, the more hypocritical they are; however, a subsequent push for an egalitarian society may, in fact, be the work of wealthy hypocrites. Bacopa deftly examines class discrimination in various tales, most frequently portraying rich people taking advantage of those in poverty. In “StarInsured,” for instance, the titular insurance company rakes in profits from a prediction of a meteor wiping out civilization. An alien, who knows full well that there is no such meteor, arrives on Earth in human form to try to persuade people of the truth—but persistent fear keeps citizens paying the annual premium and making the company richer. Sometimes odd phrasing detracts from otherwise enjoyable stories, though, as in this passage from “The Hypocrisy Foundation”: “The musician signaled for the camera to take its gaze off him and mute for a moment.”
Bizarre but often compelling tales with discernible morals.Pub Date: Dec. 6, 2018
ISBN: 978-1-79082-933-0
Page Count: 173
Publisher: Time Tunnel Media
Review Posted Online: Jan. 4, 2019
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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