by Gayle Hanratty ‧ RELEASE DATE: May 1, 2017
An outstanding debut that succeeds in gathering domestic drama, philosophical fiction, and a touch of Southern Gothic style...
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Two generations of Kentucky women navigate familial obligation and legacy in Hanratty’s debut novel in stories.
In 1936, Salinda “Sal” Skinner, scarred by the public shame of her drunk father and a “trash” family name, vows to leave Gray Hampton, Kentucky’s small-town prejudice far behind. And so begins a generational tale of women searching to find meaning in their roles as daughters, wives, and mothers. Sal sees her salvation in local rich boy Ivan Barkley, but their “oil and water” marriage ends with an accident at work, which leaves Sal a widow and forces a return to her despised hometown. Sal’s daughters go on to struggle with their own identities. After an interlude with hints of Southern Gothic, youngest Heddy becomes the voice of the second half of the book, narrating her formative years with a narcoleptic handyman stepfather, through marriage and motherhood, until a freak tragedy threatens to destroy her family. A grief-stricken Heddy secludes herself in a woodland cabin, where she attempts to come to terms with personal wounds both old and new and find a kind of philosophical peace among the “community of trees.” Such themes suggest a sprawling tome, but although the novel covers decades of family life, Hanratty displays the short story writer’s keen eye for concision and elision, allowing years to pass in a blink without leaving readers adrift. A fine sense of place helps, as do the well-observed details of family life, with its in-jokes and secret language. The characters feel lived-in and authentic, although Heddy’s voice is marred later on by an unnecessary switch in point of view (from close third- to first-person), and Penny’s voice is conspicuously absent from the narrative, which can sometimes give readers the feeling that the stories are merely an excerpt of a much larger work. But these are minor flaws in an otherwise assured and beautifully crafted novel that packs more into one short book than most writers do in an entire series.
An outstanding debut that succeeds in gathering domestic drama, philosophical fiction, and a touch of Southern Gothic style into one family saga.Pub Date: May 1, 2017
ISBN: 978-0-9960120-1-0
Page Count: 200
Publisher: Fleur-de-Lis Press
Review Posted Online: Oct. 19, 2017
Kirkus Reviews Issue: Dec. 1, 2017
Review Program: Kirkus Indie
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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