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GRAY HAMPTON

A SUITE OF STORIES

An outstanding debut that succeeds in gathering domestic drama, philosophical fiction, and a touch of Southern Gothic style...

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Two generations of Kentucky women navigate familial obligation and legacy in Hanratty’s debut novel in stories.

In 1936, Salinda “Sal” Skinner, scarred by the public shame of her drunk father and a “trash” family name, vows to leave Gray Hampton, Kentucky’s small-town prejudice far behind. And so begins a generational tale of women searching to find meaning in their roles as daughters, wives, and mothers. Sal sees her salvation in local rich boy Ivan Barkley, but their “oil and water” marriage ends with an accident at work, which leaves Sal a widow and forces a return to her despised hometown. Sal’s daughters go on to struggle with their own identities. After an interlude with hints of Southern Gothic, youngest Heddy becomes the voice of the second half of the book, narrating her formative years with a narcoleptic handyman stepfather, through marriage and motherhood, until a freak tragedy threatens to destroy her family. A grief-stricken Heddy secludes herself in a woodland cabin, where she attempts to come to terms with personal wounds both old and new and find a kind of philosophical peace among the “community of trees.” Such themes suggest a sprawling tome, but although the novel covers decades of family life, Hanratty displays the short story writer’s keen eye for concision and elision, allowing years to pass in a blink without leaving readers adrift. A fine sense of place helps, as do the well-observed details of family life, with its in-jokes and secret language. The characters feel lived-in and authentic, although Heddy’s voice is marred later on by an unnecessary switch in point of view (from close third- to first-person), and Penny’s voice is conspicuously absent from the narrative, which can sometimes give readers the feeling that the stories are merely an excerpt of a much larger work. But these are minor flaws in an otherwise assured and beautifully crafted novel that packs more into one short book than most writers do in an entire series.

An outstanding debut that succeeds in gathering domestic drama, philosophical fiction, and a touch of Southern Gothic style into one family saga.

Pub Date: May 1, 2017

ISBN: 978-0-9960120-1-0

Page Count: 200

Publisher: Fleur-de-Lis Press

Review Posted Online: Oct. 19, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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