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BLUESTOWN

A marvelous first novel about growing up confused and trying to adjust to the imperfections of people who are supposed to know better (like your parents), from the author of the story collection Dangerous Men (1995—not reviewed). This is the story, told in his own ruefully funny voice, of Spencer Markus, a disconnected young Brooklynite whose adult life seems compounded of romantic disappointment, job insecurity, and variously addled relations with his vagrant father ``Spider,'' an itinerant rock-and-roll musician (a.k.a. ``Spiderman Dan'') who weaves unannounced and unpredictably in and out of Spencer's life. Becker's beautifully controlled plot gets off to a fast start with Spencer remembering a trip he almost took with his father to Canada, then noodles along agreeably chronicling this unheroic hero's misadventures working as a Customer Service rep for a blandly dishonest musical ``effects'' business (Mutronics), his injury during a peculiar outbreak of labor-union violence, and his rocky reunion with an old high-school girlfriend and her deeply neurotic dog Toby. Everybody here (including Toby) has a vividly distinctive personality, and Becker keeps coming up with amusing particulars. Spencer's patient correspondence with Mutronics' outraged customers (i.e., victims) is hilarious—and is skillfully used to nudge the novel toward its surprising, and moving, conclusion. Among the tale's irresistible details are a thumbnail portrait of Spencer's distracted grandmother (whose ``frequent conversations with her late husband . . . left the rest of us sitting in polite silence''), a baby's crib ingeniously fashioned from a speaker cabinet, and a band made up of law students calling itself the Pop Torts. Best of all, there's the characterization of Spencer's well-meaning, terminally screwed-up father, whose message to his kid memorably resounds over his, and the novel's, salutary craziness: ``Sometimes you have to take things to the extreme. . . . Out on the edges . . . that's where the good stuff is.'' A superlative debut, from a writer of very great promise. (Author tour)

Pub Date: May 1, 1996

ISBN: 0-312-14223-4

Page Count: 288

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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