Intelligent, reflective and deeply sad portrait of a man tragically cut adrift by history.
Stefan Zweig (1881–1942) stands in for Europe’s uprooted intellectuals in this elegiac portrait by Prochnik (In Pursuit of Silence: Listening for Meaning in a World of Noise, 2010, etc.).
Zweig was one of the most famous and successful authors in the world in the 1920s and early ’30s, best known for his novellas and breezy biographies of historical figures like Erasmus and Marie Antoinette. His fellow Viennese intellectuals might have slightly disdained his wild popularity—except that everyone loved this slight, dapper man with his “genius for friendship.” When the Nazis came to power, Zweig was in a much better position that most, with plenty of money to fund his travels as he roamed from Switzerland to southern France to England and the United States in search of a refuge from the fascist madness. His relative comfort, however, could not make up for the trauma of being ejected from the culture that he, like many other German-speaking Jews, had believed belonged to them as well. “The world we loved has gone beyond recall,” he gloomily told a fellow refugee in Manhattan in 1941. “We shall be homeless in all countries. We have no present and no future.” Prochnik, himself a polymath writer with European Jewish roots, was prompted by the story of his own family, which also fled Nazi-occupied Vienna, to investigate Zweig’s experience of exile. Unable to envision himself settled in America despite four stays in New York, Zweig finally moved to a small village in Brazil in 1941, hoping for peace in which to write. Prochnik sensitively considers his final books—the poignant memoir The World of Yesterday (1942) and Brazil: Land of the Future (1941), which determinedly celebrated his adopted country’s embrace of “the humanist values his native Europe had so wretchedly betrayed.” In the end, accumulating losses and dwindling hopes of a better tomorrow drove Zweig to commit suicide not long after his 60th birthday.
Intelligent, reflective and deeply sad portrait of a man tragically cut adrift by history.Pub Date: May 6, 2014
ISBN: 978-1-59051-612-6
Page Count: 368
Publisher: Other Press
Review Posted Online: Feb. 12, 2014
Kirkus Reviews Issue: March 1, 2014
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PROFILES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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