A beautiful family tale with lifelike characters that could have benefited from a stronger structure.
A pregnant Iraqi-American war veteran hides out on the property of a young seminarian in this novel.
Theodore Dash has returned to his mother’s northern Michigan hometown after the death of his grandfather. He learns that his relative has left him property while his brother, Nate, who is in the military in Iraq, is bequeathed $10,000. Theodore has been in a seminary and is conflicted about whether to return to it. The town of Empire is a magical place to him, a lush paradise on the Lake Michigan shore, full of happy childhood memories and surrounded by blooming apple orchards. There is also Brigid Birdsey, a young bar owner, whom Theodore is growing closer to. Throughout the narrative, poems written by a woman named Zaima al-Aziz appear, and eventually Zaima herself arrives in Empire. She is a young veteran just back from the Iraq war, and she is in the early stages of pregnancy. She finds refuge in a church but soon makes her way to the Dash homestead. Hiding out in the barn, she keeps a low profile, unwilling to return to her parents’ home in Dearborn, and not wanting to make contact with the Dash family, at least not yet. Theodore’s mother, Isabelle, a high-powered Chicago lawyer, was “never cut out to swim” in this piddling “little fish bowl.” She encourages Theodore to sell the property and use the money to help his brother get settled once he returns from Iraq. When Zaima finally becomes known to Theodore, a story begins to emerge that calls into question family relationships and everyone’s long-term plans. Packard (Paint the Bird, 2013, etc.) paints a gorgeous picture of northern Michigan and is clearly well-versed in the ins and outs of life around the Great Lakes, from small towns to Chicago’s Lake Shore Drive. The emotions that these places evoke in the characters are well-described, as is the desire to be near people but not too close. But the novel meanders in the middle, and the absence of a strong story arc becomes obvious. Details about characters are revealed slowly over time, making it a long wait for the inevitable confrontation that is bound to occur near the end of the book.
A beautiful family tale with lifelike characters that could have benefited from a stronger structure.Pub Date: Oct. 20, 2018
ISBN: 978-1-57962-528-3
Page Count: 272
Publisher: Permanent Press
Review Posted Online: Dec. 21, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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